.

 

Bridge and River Consecration

...the voices of the builders....

I walked up Court St. to the Brooklyn Bridge - the Cathedral of Rivers. I believe in Rivers. Ships sang in the harbor, trailing robes of foam; the air was white and humid.

I climbed stairs and walked half the length of the span. Tourists with cameras strolled. Bicycles sped in and out of vision.

I was still. To the South, the sails of boats billowed. The Statue of Liberty and I stood together. I turned from her, to the river.

I said, For 3 years, for 10, for 26, I have tried hard.

I said, I wanted to be a good son and grandson, a good worker for my employers, a good lover to my girlfriends. I wanted to make sure others were comfortable and safe. I was not all of these things, could not do all of these things, but I did everything I could.

I said, I've done some damage to others. I've asked their forgiveness, and sometimes received it. I made the best amends I could, took apart my brain and rebuilt it to make sure I would not be greedy or selfish. Along the way, I came to hate my body, and felt my soul was corrupt, and made myself into a kind of emotional martyr, a false one.

I said, I don't wish to be penitent any more. So I dedicate myself to something outside of myself, whether writing, or work, or the relief of suffering, and give you my heart. I will find a new one.

I gave my worn heart to the East River; I leaned over the railing and threw it. The deep black waters opened up as it fell, catching it without a splash.

Sweat came straight into my eyes and I blinked it back. Voices rose up from the anchorage, through the cables. They spoke in a low humming. The voices belonged to John Roebling, who designed the bridge, and his son George Washington Roebling, who built it, and to the workers who had put the huge stones down. They all spoke at once. In time I made out what they were saying. They said they had my heart and would bury it in the bottom of the sea. They told me where to find a new one, and made me swear to keep the place a secret. They promised me rest in the Atlantic Ocean, the great bed into which all my sleep flows. But not yet.


[Top]

Ftrain.com

PEEK

Ftrain.com is the website of Paul Ford and his pseudonyms. It is showing its age. I'm rewriting the code but it's taking some time.

FACEBOOK

There is a Facebook group.

TWITTER

You will regret following me on Twitter here.

EMAIL

Enter your email address:

A TinyLetter Email Newsletter

About the author: I've been running this website from 1997. For a living I write stories and essays, program computers, edit things, and help people launch online publications. (LinkedIn). I wrote a novel. I was an editor at Harper's Magazine for five years; then I was a Contributing Editor; now I am a free agent. I was also on NPR's All Things Considered for a while. I still write for The Morning News, and some other places.

If you have any questions for me, I am very accessible by email. You can email me at ford@ftrain.com and ask me things and I will try to answer. Especially if you want to clarify something or write something critical. I am glad to clarify things so that you can disagree more effectively.

POKE


Syndicate: RSS1.0, RSS2.0
Links: RSS1.0, RSS2.0

Contact

© 1974-2011 Paul Ford

Recent

Recent Offsite Work: Code and Prose. As a hobby I write. (January 14)

Rotary Dial. (August 21)

10 Timeframes. (June 20)

Facebook and Instagram: When Your Favorite App Sells Out. (April 10)

Why I Am Leaving the People of the Red Valley. (April 7)

Welcome to the Company. (September 21)

“Facebook and the Epiphanator: An End to Endings?”. Forgot to tell you about this. (July 20)

“The Age of Mechanical Reproduction”. An essay for TheMorningNews.org. (July 11)

Woods+. People call me a lot and say: What is this new thing? You're a nerd. Explain it immediately. (July 10)

Reading Tonight. Reading! (May 25)

Recorded Entertainment #2, by Paul Ford. (May 18)

Recorded Entertainment #1, by Paul Ford. (May 17)

Nanolaw with Daughter. Why privacy mattered. (May 16)

0h30m w/Photoshop, by Paul Ford. It's immediately clear to me now that I'm writing again that I need to come up with some new forms in order to have fun here—so that I can get a rhythm and know what I'm doing. One thing that works for me are time limits; pencils up, pencils down. So: Fridays, write for 30 minutes; edit for 20 minutes max; and go whip up some images if necessary, like the big crappy hand below that's all meaningful and evocative because it's retro and zoomed-in. Post it, and leave it alone. Can I do that every Friday? Yes! Will I? Maybe! But I crave that simple continuity. For today, for absolutely no reason other than that it came unbidden into my brain, the subject will be Photoshop. (Do we have a process? We have a process. It is 11:39 and...) (May 13)

That Shaggy Feeling. Soon, orphans. (May 12)

Antilunchism, by Paul Ford. Snack trams. (May 11)

Tickler File Forever, by Paul Ford. I'll have no one to blame but future me. (May 10)

Time's Inverted Index, by Paul Ford. (1) When robots write history we can get in trouble with our past selves. (2) Search-generated, "false" chrestomathies and the historical fallacy. (May 9)

Bantha Tracks. (May 5)

The Moral Superiority of the Streetcar. (1) Long-form journalism fixes everything. (2) The moral superiority of the streetcar. (3) I like big bus and I cannot lie. (May 4)

More...
Tables of Contents