Forgot to put this here...
I recently gave the closing keynote at the 2012 MFA Interaction Design Festival, a full-day event held on Saturday, May 12, 2012, to celebrate the work of the 2012 graduating class of the Interaction Design MFA program at the School of Visual Arts in New York City. I teach a course in Content Strategy there, and working with the immensely talented students has forced
me, as a content-oriented individual, to think hard about a specific task that interaction designers frequently take on—namely
that they themselves must make things that allow other people to make things. They define the experiences that permit other people to do their work, or play, or tweet, or post things.
They make the forms that the rest of us fill out. And so I walked around New York City and thought: What could I ask of these students, how could I advocate on behalf of the creators who are their users? This is, I hope, a partial answer to that question.
Read the keynote...
Ftrain.com is the website of Paul Ford and his pseudonyms. It is showing its age. I'm rewriting the code but it's taking some
There is a Facebook group.
You will regret following me on Twitter here.
About the author: I've been running this website from 1997. For a living I write stories and essays, program computers, edit
things, and help people launch online publications. (LinkedIn). I wrote a novel. I was an editor at Harper's Magazine for five years; then I was a Contributing Editor; now I am a free agent. I was also on NPR's All Things Considered for a while. I still write for The Morning News, and some other places.
If you have any questions for me, I am very accessible by email. You can email me at firstname.lastname@example.org and ask me things and I will try to answer. Especially if you want to clarify something or write something critical. I am
glad to clarify things so that you can disagree more effectively.
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© 1974-2011 Paul Ford
Recent Offsite Work: Code and Prose.
As a hobby I write.
Facebook and Instagram: When Your Favorite App Sells Out.
Why I Am Leaving the People of the Red Valley.
Welcome to the Company.
“Facebook and the Epiphanator: An End to Endings?”.
Forgot to tell you about this.
“The Age of Mechanical Reproduction”.
An essay for TheMorningNews.org.
People call me a lot and say: What is this new thing? You're a nerd. Explain it immediately.
Recorded Entertainment #2, by Paul Ford.
Recorded Entertainment #1, by Paul Ford.
Nanolaw with Daughter.
Why privacy mattered.
0h30m w/Photoshop, by Paul Ford.
It's immediately clear to me now that I'm writing again that I need to come up with some new forms in order to have fun here—so
that I can get a rhythm and know what I'm doing. One thing that works for me are time limits; pencils up, pencils down. So:
Fridays, write for 30 minutes; edit for 20 minutes max; and go whip up some images if necessary, like the big crappy hand
below that's all meaningful and evocative because it's retro and zoomed-in. Post it, and leave it alone. Can I do that every
Friday? Yes! Will I? Maybe! But I crave that simple continuity. For today, for absolutely no reason other than that it came
unbidden into my brain, the subject will be Photoshop. (Do we have a process? We have a process. It is 11:39 and...)
That Shaggy Feeling.
Antilunchism, by Paul Ford.
Tickler File Forever, by Paul Ford.
I'll have no one to blame but future me.
Time's Inverted Index, by Paul Ford.
(1) When robots write history we can get in trouble with our past selves. (2) Search-generated, "false" chrestomathies and
the historical fallacy.
The Moral Superiority of the Streetcar.
(1) Long-form journalism fixes everything. (2) The moral superiority of the streetcar. (3) I like big bus and I cannot lie.