<f:arb xmlns="http://www.w3.org/1999/xhtml"
  xmlns:f="http://ftrain.com/"
  xmlns:x="http://www.w3.org/1999/xlink"
  id="story" publish="2000-11-01">
  <f:ref has="#Author" to="#PaulFord"/>
  <f:title>Story</f:title>
  <f:ref is="#TaxonomicalGrouping"/>
  <f:content role="#Description">Fun-time word-activities in American English.</f:content>
  <f:ref has="#Copyright" to="#FtrainCopyright"/>
  <img src="art/graphics/story/eastriver.jpg" hisrc="" alt="East River, colloidal because my camera-hand is not still." border="1"/>
  <f:content>
    <p>Slowly, some stories grow; others die terrible deaths and falter.</p>
  </f:content>

  &FtrainStoryBrooklyn;

  <f:arb id="story_pef_history" publish="1997-10-01" release="yes">
    <f:ref has="#Author" to="#PaulFord"/>
    <f:title>A Tent in the Arctic</f:title>
    <f:content role="#Description">The story of my life, in dribs and drabs.</f:content>
    <f:ref has="#Copyright" to="#FtrainCopyright"/>
    <f:content>
      <p>For years, I've had a fantasy of that tent, of sitting alone in a field of open white, buried in snow, with canvas walls and thermal underwear, invisible to airlines, surviving on beef jerky and reading books. Of all the images in my mind, this one resonates most strongly - the aloneness of the solo traveler, the person forgotten by the world, safe and free.</p>
      <p>I was born August 11, 1974 in Bryn Mawr, Pennsylvania, in the morning. I remember little of the event. My father was a playwrite and my mother was a puppeteer; both wrote poetry. You know how <i>that</i> goes.</p>
      <p>When 
      <f:arb id="story_autobio_train_fight" publish="2001-01-29">
        <f:ref has="#Author" to="#PaulFord"/>
        <f:title>faced with the possibility of violence</f:title>
        <f:content role="#Description">The train rattled gently. Once more his fists tensed.</f:content>
        <f:ref has="#Copyright" to="#FtrainCopyright"/>
        <f:content>
          <p>A pretty blond came on the train at Rockefeller Center and sat across from me. The stainless steel walls reflected the yellow of her hair and the black of her dress. A man with a two-day beard sat next to her. They spoke in Russian. The conversation became loud. He grabbed her wrist. She pulled her arm back and sneered, shook her head so hard her hair spun out, and spoke a long stream of coldness. His eyebrows lowered, eyelids shutting halfway.</p>
          <img src="art/graphics/archive/ftrainthree/ftrain_smithst.jpg" height="212" width="249" alt="[Smith and 9th St, Brooklyn, NY]" border="1"/>
          <p>I thought, &lq;If he hits her I have to do something.&rq; He jerked his body towards her, grunted, shoulders tense. She flinched into silence and turned away, closing her eyes. The man yelled at the back of her head, filling the carriage with foreign consonants, his tongue knocking the top of his mouth. The other passengers looked away. I tried to read <f:ref has="#Subject" to="#ftrain_face_biology_as_ideology">my book</f:ref>.</p>
          <p>&lq;If he grabs her wrists <i>hard</i>, that's when I have to say something, and absolutely he will kick my ass for interfering. Beat to shit by a Russian mobster.&rq;</p>
          <p>The man was 6'3'', my size, but the fat on me was muscle in him. He looked like an asskicker, the simmering bar-fighter whose chest always aches with turbulent pride, shoulders too wide to fit in the door. She was the moll, make-up running with tears, sharp tongued, long-experienced of raging, roiling violent men and their <i>heat</i>. They came out of a bad movie, a two-for-one Wednesday-night video rental. He plays the low-level, wife-beating mobster who chases the hero through a warehouse and gets shot in the chest in the first 15 minutes.</p>
          <p>&lq;What am I going to do if he hits her? I'll stand up, I'll pound my seat, I'll scream incoherently, and that'll confuse him. Everyone on the train will stare at me and see me yelling at him, and it will be so weird that he'll stop hitting her, and he won't even think to beat the shit out of me.&rq; Lights flashed as we went through the tunnels. The only other men in the train were South American restaurant workers, still in their smocks, all below 5'4''.</p>
          <p>There was a lull in the argument. She moved a seat away from him, and he began to settle down. The train stopped at Jay, and I could have moved to another car, but that would have been avoiding the responsibility placed before me; I would ride with them, and intervene if their argument became violent, until I reached the Smith and 9th St. stop.</p>
          <p>&lq;What will be nice is when his feet stomp my teeth in.&rq; Now we came to Bergen St., two stops from home. All of a sudden the woman began to yell. In response, the man lifted himself a few inches off the seat, levitating in muscular rage, and grabbed her wrists again. I opened my mouth to say something - but he released her and sat back on the orange plastic bench. Both of them breathed hard enough for me to hear.</p>
          <p>The train reached Carroll. A few women came on, laughing to one another, and one man, alone. I listened as the blond's voice rose, in a new, steady stream of angry words and sobs. The train rattled gently. Once more his fists tensed.</p>
          <p>The train came out of the tunnel in Carroll Gardens, turning right and drifting to a slow stop along the Smith and 9th platform. I stood and shouldered my bag, gripping a steel pole, watching them from my right eye. I wanted to speak at them, but what advice did I have for the couple who had dragged their shitty lives into the blue-yellow of boxcar fluorescence? The women were still laughing at the other end of the train. The blond began to sob again, but the man stayed still in his seat. The doors opened with a ping and I took two fast steps away from the Ftrain, glancing back through the scratched Plexiglas. I said &lq;ignorant fucking asshole&rq; to his turned-away face in the window, loud enough for myself to hear. I walked down the wet, icy stairs. Now he could punch her if he wanted, and no one would say anything. The train coughed and hissed, and left for deeper Brooklyn.</p>
        </f:content>
        <img src="art/graphics/archive/ftrainthree/ftrain_smithst.jpg" height="212" width="249" alt="[Smith and 9th St, Brooklyn, NY]" border="1"/>
      </f:arb>, I do not know what to do; I become a mix of fear and oddness.
      
    </p>
    <p>The first time I left the country.</p>
    <p>Here, secreted away, is where I hide the pieces of fiction, the essays, that went terribly wrong: <f:arb id="the_dead_pool" publish="2001-10-16">
    <f:ref has="#Author" to="#PaulFord"/>
    <f:title>Graveyard</f:title>
    <f:content role="#Description">Where stories go to die.</f:content>
    <f:ref has="#Copyright" to="#FtrainCopyright"/>
    <f:content>
      <p>These are the unpleasant things I've written - not unpleasant in that they make you feel raw, unsteady emotions, but unpleasant in that they make you pity the author, whose ignorance and lack of talent, presented on his Web site, form a mood-dampening portrait of wasted hours. Yet, I've decided, in the interest of completeness, these pieces should be saved; I should remember my failures, both to avoid future failures, and because each of this pieces is a memory, a little speck of brain that I'd prefer not to <i>toss</i> outright; every written piece is part of me, came from me, and I want to keep them around for perverse nostalgia, even if reading them is an exercise in teeth-grinding. Thus this dead pool, the cabinet of horrors, presented in the hopes that it will be ignored by all but the author.</p>
      <p>(This is by no means all of the rot - many more entries will be shuffled out of the autobiography and other sections to find their resting place within.)</p>
    </f:content>
    <f:arb id="abominations_early" publish="2001-10-15">
      <f:ref has="#Author" to="#PaulFord"/>
      <f:title>Early Abominations</f:title>
      <f:content role="#Description">From 1997-1998, the worst of Ftrain.</f:content>
      <f:ref has="#Copyright" to="#FtrainCopyright"/>
      <f:arb id="archive_subway_19971127" publish="1997-11-27">
        <f:ref has="#Author" to="#PaulFord"/>
        <f:title>27 Nov 97</f:title>
        <f:content role="#Description">New Nikes, Shot into the Stars</f:content>
        <f:ref has="#Copyright" to="#FtrainCopyright"/>
        <f:content>
          <p>
            
            <b>New Nikes, Shot into the Stars</b>
            
          </p>
          <p>When you think of the tall African boys in dirty white Michael Jordan T-shirts, or the way China halts communal production to watch "Dallas," why be surprised that the electronically amplified voices of pure desire would reach past the narrow bands of atmosphere into the great deep of background radiation?</p>
          <p>If only that great cosmic blowhard, Carl Sagan, had survived to see these new, slippery, lanky things on the news, dressed in baggy pants and polo shirts, accessorizing with sunglasses and wallet chains, or dressed like skateboarders, with the skateboard balanced on the top of a coatrack body. All that romantic, hard-science bullshit about cosmic brotherhood and alien superiority would seem foolish, now.</p>
          <p>We all saw the look in the UN Secretary's brown eyes, when he handed over the first of the thousands of "friendship packages." Was he proud of the interstellar desirability of earthly goods, or disappointed--for they gave us nothing in return, not even a tour of the ship. But the orders keep coming.</p>
          <p>Truckload after truckload roll into the giant craft, three every hour. In New York, in Seattle, in Paris, in Naples, the ad agencies and public relations firms are rallying with military fervor, insisting that the utilitarian, black plastic boxes carry their products into the dark heavens. Free samples of shampoo and boxer shorts build the brand on distant, gaseous planets. Ads have appeared with photos of extraterrestrials wearing Nike Sneakers on its head, an Armani T-shirts worn as a necklace. Bennetton has gone out of control with its latest campaigns, showing an earthly woman engaged in intercourse with one of those slippery slug-things, both wearing Bennetton hats.</p>
          <p>This powerful, extraterrestrial desire is not without cost. There was a terrible accident with some cologne, something the alien physiognomy couldn't tolerate. Pure vitriol--the sloppy, slippery skin melting like caramel, with pictures in the paper.</p>
          <p>Of course, the business of the world is almost stopped, and the story of these visitors is in the papers, on the evening and morning news, the talk shows, and on the Internet. There will be miniseries in a couple of months, and a movie is being filmed. Not since the last war have people been so attached to the screen. Certain delegates for the United States are learning to speak a new language, as the delegates also try to teach our language to our guests--hoping that they will soon be able to explain the concept of barter and money, to explain the acronym ROI, and gain the knowledge to travel to the stars ourself, brochures in hand.</p>
          <p>So, really, was it any surprise that when they finally came, when the strange animals sucking nitrogen through straws arrived in silent, zebra-striped crafts, they came not for peace, or understanding, but for Nike sweatpants, videotapes of "Santa Barbara," and Garfield toys with suction cups that stick comically to the windows of their faster-than-light spaceships?</p>
        </f:content>
      </f:arb>
      <f:arb id="archive_subway_19971128" publish="1997-11-28">
        <f:ref has="#Author" to="#PaulFord"/>
        <f:title>28 Nov 97</f:title>
        <f:content role="#Description">Disposing of Evidence</f:content>
        <f:ref has="#Copyright" to="#FtrainCopyright"/>
        <f:content>
          <p>Why can't murderers dispose of the evidence of their crimes? Or rather, why do they need to keep it around?</p>
          <p>Example: Your girlfriend comes over and she starts to giggle uncontrollably at your penis, which, you must admit, does have weird purple coloring and look surprisingly like a little shaved stoat, but GODDAMMIT that's not her place to say, and after a feverish raging blackout (in which you just somehow found an 18 inch machete blade leaping into your hand), you dismember her. Whoops. </p>
          <p>Okay, spend a little time calming down, because, let's face it, you're been feeling high strung, and you need a clear head for this one. You need to decide between the big two options: call the cops and wait for them to come arrest your ass, thus beginning a new and exciting life in the world of non-consensual sodomy, or dispose of the body thoroughly.</p>
          <p>These are your options, but if you're the average deranged killer, you ignore them and keep the body around, thus defaulting to option one, the one where you're called "Buckeye" and forced to wear spats with your state-provided skirt. In fact, if you're the standard media murderer, you cut up the body and keep it in packages around the house. Why? Why do crazed lunatic killers do this? You might as well work for your prosecuting lawyer.</p>
          <p>
            <b>COP 1</b>: Hey, Bob, can we come in and chat for a while?
          </p>
            
            <p>
              
              <b>KILLER</b>: Sure, officer. I've got nothing to hide.
            </p>

            <p>
              <b>COP 2</b>: Nobody says you do, Bob.</p>
              <p>

                                    <b>KILLER</b>: (Already nervous) Ha ha ha!</p>
                                 <p>

                                    <b>COP 1</b>: So nobody's heard from Marie in two weeks.</p>
                                 <p>

                                    <b>KILLER</b>: Yeah, I'd like to know where she is, I really would.</p>
                                 <p>

                                    <b>COP 1</b>: Heard you guys been fighting.</p>
                                 <p>

                                    <b>KILLER</b>: Sure, but we were working it out, we really were. Not like her to just run off.</p>
                                 <p>

                                    <b>COP 2</b>: (Looking querulously at Bob, then sniffing the air.) Hey, what's that smell?</p>
                                 <p>

                                    <b>KILLER</b>: Oh, I just keep a lot of extra meat around the apartment in little boxes, you know. Little boxes, meat. You know?</p>
                                 <p>

                                    <b>COP 1</b>: (Smiles at Bob.) Sure, sure...</p>
                                 <p>

                                    <b>KILLER</b>: Yeah, it's an experiment in, uh, parthenogenesis, to see if maggots will spontaneously appear. </p>
                                 <p>

                                    <b>COP 2</b>: Hey, Bob, that was disproved pretty soundly during the Enlightenment. I mean, even the Romans doubted it.</p>
                                 <p>

                                    <b>KILLER</b>: Sure, but you know, the scientific method and all. Can't ever let that stuff sit. Gotta find out for myself.</p>
                                 <p>

                                    <b>COP 2</b>: But you're an English professor, right? Why're you doing scientific--</p>
                                 <p>

                                    <b>COP 1</b>: Just an amateur scientist, eh? What kind of meat?</p>
                                 <p>

                                    <b>KILLER</b>: Just some venison.</p>
                                 <p>

                                    <b>COP 1</b>: Hey, you hunt?</p>
                                 <p>

                                    <b>KILLER</b>: No! I don't own any weapons, see, I just get the meat from my uncle. You guys know him--</p>
                                 <p>

                                    <b>COP 2</b>: Whatcha sitting on there, Bob?</p>
                                 <p>

                                    <b>KILLER</b>: What? Uh, this? Here? Nothing.</p>
                                 <p>

                                    <b>COP 1</b>: It's a chest of drawers, huh? </p>
                                 <p>

                                    <b>COP 2</b>: Nice looking, too. That's why I asked. Can I take a look? I'm always on the lookout for furniture. Keeps my Agnes happy. You know my wife, right? She's Marie's cousin.</p>
                                 <p>

                                    <b>KILLER</b>: Sure, yeah, just don't...open it, it's just been, you know, varnished. This morning.</p>
                                 <p>

                                    <b>COP 2</b>: Oh, I've got a light touch.</p>
                                 <p>

                                    <b>KILLER</b>: No, don't, there's...</p>
                                 <p>

                                    <b>COP 2</b>: (Backs off.) Sure, hey, no problem. That's like some kind of unscented varnish?</p>
                                 <p>

                                    <b>KILLER</b>: (Brow furrows.) Yeah, I got it on sale at Channel. I mean, I don't have anything to hide.</p>
                                 <p>

                                    <b>COP 2</b>: No problem. Be careful sitting on it, the varnish can rub off on your pants. You mind if I get myself a drink of water?</p>
                                 <p>

                                    <b>KILLER</b>: Sure. (Can't decide between leaving his perch for the kitchen or staying put.) But do me a favor and don't get any ice? The freezer hasn't been working and I keep the door shut unless...</p>
                                 <p>

                                    <b>COP 2</b>: Absolutely. Wouldn't think of it.</p>
                                 <p>

                                    <b>KILLER</b>: I mean, there's nothing in the freezer you can't see.</p>
                                 <p>

                                    <b>COP 1</b>: Nobody said there was, Bob.</p>
                                 <p>

                                    <b>KILLER</b>: Ha ha ha!</p>
                                 <p>

                                    <b>COP 1</b>: So, you have any plans for the holiday?</p>
                                 <p>

                                    <b>KILLER</b>: Well, thought I might take a trip, maybe get on a plane, go south.</p>
                                 <p>

                                    <b>COP 1</b>: Oh, I wouldn't do that.</p>
                                 <p>

                                    <b>KILLER</b>: Why not? Why should I stay here?</p>
                                 <p>

                                    <b>COP 2</b>: (Yells from the kitchen.) Hey, did you kill her, Bob?</p>
                                 <p>

                                    <b>KILLER</b>: Wha--what? Huh? (Starts to shake.)</p>
                                 <p>

                                    <b>COP 2</b>: (Enters the living room, holding a glass of water with ice cubes.) I said, "The air fare's a killer, Bob."</p>
                                 <p>

                                    <b>KILLER</b>: (Eyes bug out at ice cubes.) Oh, sure is.</p>
                                 <p>

                                    <b>COP 1</b>: That's why I wouldn't do it. Wait till off season, take it then. Unless you need to get out of the country.</p>
                                 <p>

                                    <b>KILLER</b>: I really need a break, yeah.</p>
                                 <p>

                                    <b>COP 2</b>: Hear you on that one. That her head in the freezer?</p>
                                 <p>

                                    <b>KILLER</b>: What?</p>
                                 <p>

                                    <b>COP 2</b>: Going to Florida? Hang out with the geezers?</p>
                                 <p>

                                    <b>KILLER</b>: Something like that.</p>
                                 <p>

                                    <b>COP 1</b>: Hearing okay, Bob?</p>
                                 <p>

                                    <b>KILLER</b>: No, no, kind of bad, lately. Gotta get it checked.</p>
                                 <p>

                                    <b>COP 2</b>: I hear that goes with a weasel dick.</p>
                                 <p>

                                    <b>KILLER</b>: Come again?</p>
                                 <p>

                                    <b>COP 2</b>: My hearing goes when I'm sick.</p>
                                 <p>

                                    <b>KILLER</b>: Yeah, it's a head cold, I guess.</p>
                                 <p>

                                    <b>COP 2</b>: Her head's pretty cold in the fridge.</p>
                                 <p>

                                    <b>KILLER</b>: Huh? What did you--</p>
                                 <p>

                                    <b>COP 1</b>: Nothing like a head cold. No wonder you want to go down to Florida. You read much? As an English professor?</p>
                                 <p>

                                    <b>KILLER</b>: (Looks around the room at bookshelves, head twitching as he does.) You could say that.</p>
                                 <p>

                                    <b>COP 1</b>: I was just reading this story by Edgar Allen Poe, <cite>The Tell-Tale Heart</cite>. I like the cops in that story. You ever read that?</p>
                                 <p>

                                    <b>KILLER</b>: (Starts crying uncontrollably.) Jesus, yes.</p>
                                 <p>

                                    <b>COP 2</b>: Bob, you're getting high strung. Something you want to tell us?</p>
                                 <p>

                                    <b>COP 1</b>: If you're upset about Marie, we could leave, come back later. Sure, sure, let's get out of here, Mike.</p>
                                 <p>

                                    <b>COP 2</b>: Before I go, you got any that venison not sitting around? In the fridge? I love a good venison steak.</p>
                                 <p>(Bob leaps up and runs for the door; the two cops catch him and wrestle him to the ground.)</p>
                                 <p>

                                    <b>KILLER</b>: She asked for it, all right? It's not my fault.</p>
                                 <p>

                                    <b>COP 2</b>: Kind of suspected after I saw her head. I gotta tell you, you have the right to remain silent...</p>
                                 <p>Bob had the incorrect approach to killing his girlfriend, and now he'll be the star bronco in the prison rodeo. First of all, he kept the body around the house. This is even more incriminating than if he had buried Marie in a shallow grave marked "ded murdar viktim kiled by Bob." He also began to cry in front of cops--and he taught English Literature, instantly casting him under suspicion (Ph.D. on the work of Norman Mailer, no less).</p>
                                 <p>What else? He wore Marie's blood-covered dress around town right after the murder, posted an Internet confession to alt.dead.girlfriend, and called a local slaughterhouse, identified himself, and asked for their advice line. Killers, those calls are logged!</p>
                                 <p>Bob <b>could</b> have kept calm and pursued several sensible options. He might have moved to Montana, the only state with "Death's Well-Trod Doormat" as its state motto. He may have asked Agent Scully to help him fake his own death. And most of all, he could have disposed of the evidence, ferchrissakes.</p>
                                 <p>Killing is wrong, but predictability is worse. Taking life should not be taken lightly; it's up to you to do it with panache, intelligence, and style. Let me know how it turns out.</p>
                              </f:content>
                           </f:arb>
                           <f:arb id="archive_subway_19971129" publish="1997-11-29">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>29 Nov 97</f:title>
                              <f:content role="#Description">Quick Visit With an Old Friend</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>It's a cheap dinner after work; I just grab a gyro from the vendor on 50th St after work. I eat alone, watching the Fox News ticker. Suddenly, a Black Pontiac, vintage 1983, pulls up to the curb and flashes its lights. I say:</p>
                                 <p>"Hey, my God, how's it going?"</p>
                                 <p>"Hey, well, Paul," he says, a little dented and scratched, the dashboard dark, but still his old self, "it's rough. I'm trying, but it's not coming</p>
                                 <p>"Is there still bad blood with David?"</p>
                                 <p>"Hasselhoff? He doesn't have time for old friends. I begged him--I'm not ashamed, I begged him--for a role on Baywatch, I could just motor up and they could throw some sand on me, something like that, or I could drive underwater and save a drowning kid, you know, anything. But David, now that he's so big, he says, 'KITT, talking cars are done with.' And hangs up the phone."</p>
                                 <p>"You two used to be pretty close."</p>
                                 <p>"Sure were. It's my own fault, leaving my contract because I thought I was too good for the show. What was I thinking, that I could make it in theater, as a Pontiac? Except for that revival of Grease I haven't worked a day. I could do Moliere, I could do Shakespeare, but people only see 'car'."</p>
                                 <p>"Well, you saved up, you got some money out of Knight Rider, right? And you get some residuals?"</p>
                                 <p>"I was never scale; cars don't get paid scale. And I made some bad decisions. Didn't take care of myself. Lost a lot of money."</p>
                                 <p>"Drugs, KITT?"</p>
                                 <p>"No, premium gas." He paused. "And wax jobs." His lights dimmed and something beeped in the dark interior. He paused, then said: "Look, I just got a call, I've got to go, I'm picking up a delivery for a guy--no, don't ask, I can't tell you. You still live the same place?"</p>
                                 <p>"No, I'm in Brooklyn but I'm in the book. Hey, it was good to catch up," I said, smiling falsely as the black windows rolled up, the red LED on his front swishing its goodbye. I waved, without vigor, as he turned and drove down Broadway.</p>
                              </f:content>
                           </f:arb>
                           <f:arb id="archive_subway_19971206" publish="1997-12-06">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>06 Dec 97</f:title>
                              <f:content role="#Description">Merry Christmas (Running From Paramilitary Fundamentalists)</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>This is my Christmas Letter for 1997. If you'd like to receive a copy on paper, <a href="mailto:ford@ftrain.com?subject=Please send me your Xmas Letter">send me email</a>.</p>
                                 <p>Dear Holiday Friend,</p>
                                 <p>Since you last heard from the Ford family, we entered the Federal Witness Protection Program and began new lives as cranberry farmers. We miss you all very much!</p>
                                 <p>One night in March, 1997, Eloise discovered a half-shredded document that made shocking allegations about a high ranking Republican Senator. As a condition of our release, we can't say his name, but it rhymes with "Messy Elms," and he has some surprising sexual peccadilloes when it comes to olives. From this disturbing document, we learned that he has been working to turn the Christian Right into a private army.</p>
                                 <p>It was like our very own Grassy Knoll. After presenting our findings to Food Workers and Straphangers 897, brown helicopters landed in the parking lot. (They reserve black helicopters for serious criminals.) We tried to run, but Eloise has high blood pressure, so we more or less just collapsed. We were immediately taken to a high security facility and debriefed.</p>
                                 <p>Afer being released by the goverment, we thought we could return to a normal life, but it was not to be. In April, the paramilitary wing of Focus on the Family abducted Saber Tooth and Pisspot, our cats, leaving a note that read: "If you ever want to see them again, you will not speak to the press." It turned out that the our pastor at First Presbyterian was an undercover operative and informed on us. For the next six months we metamorphosed from pimento specialists to pawns in an international game of intrigue, traveling via boat, plane, and bicycle to places as far away as Ontario and Minneapolis. Exhausting!</p>
                                 <p>Enough about us! As for the kids, Edgar does well for himself at Mt. Alyon Center for the Lamb of God. He recently made Underfriar of Herbs, with specialties in bloodwort, wolfsbane, and jack-in-the-pulpit (<i>Arisaema triphyllum</i>). We communicate with him through a drop point.</p>
                                 <p>As for Willy, all charges were dismissed (we knew they would be) and he's been living in Dover, Delaware, working as a veterinarian's assistant. He's also in a "techno" band called "Cat Parts." Look for his album on Oily Snail Records.</p>
                                 <p>Well, all for now. If you'd like to communicate with us, place a classified ad in any Buenos Aires newspaper that begins with the words "El Gato Malo," and we'll get back to you ASAP. </p>
                                 <p>Seasonal Cheer and Feliz Navidad,</p>
                                 <p>Paul and Eloise Ford</p>
                              </f:content>
                           </f:arb>
                           <f:arb id="archive_subway_19971216" publish="1997-12-16">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>16 Dec 97</f:title>
                              <f:content role="#Description">This is a bad short story; it was an attempt to be kind of clever, and an attempt to -- oh, well, fuck it.</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>
                                    <h3>Obedience</h3>
                                 </p>
                                 <p>My roommate Max died three years ago in August. Kristen moved in a month later, bringing a three-week old Boston Terrier. We named him Cheese Boy.</p>
                                 <p>Kristen and Max had disliked each other, and I think she was trying to stomp out his ghost by moving in. It didn't work. She and I quickly unearthed deep incompatibilities. She fell asleep before I came home. I adore computers, sometimes to the point of ignoring people who matter. She went to the bathroom with the door open. Two months later, with cold acknowledgement, we moved to separate apartments. She found a share in Noho and I went to a studio in Brooklyn. We continued to visit and sleep with each other, trying to keep affection from withering. Her share didn't permit pets, so I held on to the dog. </p>
                                 <p>Boston Terriers balance the best doglike qualities. They're neither the emasculated, sweater-wearing type of dog nor mangy, pony-size hounds. In the new apartment, Cheese Boy slept in a cardboard box with a blanket in the bottom and one side ripped open for a door. I positioned him in front of the stove. He was quiet and friendly, and women stopped to pet when I took him out. I settled into a single parent's life, educating him in excretion etiquette, hand-shaking, and the fine points of sitting still while not begging. I left the radio on for company when I left for work. He developed into a a sturdy, cheerful puppy, grew quickly, and fit smoothly into the schedule of my life, until that February, when, as I worked on the computer, he began to bite my pant cuffs. When I spanked him and scolded "No!" he began to hack and cough.</p>
                                 <p>It went on for several seconds, so I patted his black fur back, and said, "you okay, boy?" He shook his furrowed head, then looked up to me and growled, "rizrax."</p>
                                 <p>He growled again: "Riz rax! Rix rax!" I backed out of my chair, away from him, scared.; I could only think of <cite>The Shining</cite>: "Red rum! Red rum!" He raised his growl, louder and higher: "Riz Rax! Reezus! Rax! Riz Rax!"</p>
                                 <p>Something in the intonation hooked into my memory. I inhaled and looked at his deep black eyes. He said it over and over. I said: "It's Max?"</p>
                                 <p>"Reezus Riced! Ran roo."</p>
                                 <p>I looked at him for several seconds. "Jesus Christ. Thank you?"</p>
                                 <p>The dog nodded, and said, "Res."</p>
                                 <p>There was an awkward silence. There's no real protocol for that kind of conversation.</p>
                                 <p>Cheese Boy rolled his eyes, like Max used to.</p>
                                 <p>"Oh, shit," I said. "It's you?"</p>
                                 <p>"Rud eye ret rum ruckin reel rood?</p>
                                 <p>That took a moment. "Could I get some real food?" I repeated, still in shock.</p>
                                 <p>He nodded.</p>
                                 <p>"Sure," I said. My mind was jerking from question to question, but I stuck to the issue. "Reincarnation?" I asked.</p>
                                 <p>He hunched his shoulders, a shrug.</p>
                                 <p>"You want something besides dog food?"</p>
                                 <p>Agitated head nodding.</p>
                                 <p>"I could defrost some steaks..."</p>
                                 <p>He barked, then said, "Res."</p>
                                 <p>"I'm taking it well, aren't I?" I asked.</p>
                                 <p>"<i>Roor</i> rakin rih reh? Rime a rukin rog rin roor rakin iweh?"</p>
                                 <p>My brow furrowed, and I translated: "I'm a fucking dog and <i>you're</i> taking it well."</p>
                                 <p>He lifted his right paw and nodded.</p>
                                 <p>"Good point." I went to the freezer and pulled out some frozen beef.</p>
                                 <p>Long conversations followed, and I learned to understand his growl. Max didn't know what happened; one minute he's driving a Chevy Caprice in a thunderstorm and the next he's emerging from a dog's womb. "Smelled damned nasty," he said. He began to realize it wasn't a dream when when Kristen came to the puppy farm and pulled him from the pile.</p>
                                 <p>"No insult, but that was <i>shit</i>, having her pick me up and stick her face in my snout, and then you call me 'Cheese Boy', which is the stupidest name even she could come up with, and I'm laying there in the doggie bed while you two screw on the couch, trying to make myself not listen. It was rough on a puppy."</p>
                                 <p>Indignant but sympathetic, I said, "If I'd known, I would have done something."</p>
                                 <p>"I couldn't tell you," he grunted. "I wasn't allowed to. There's some inhibition on communication. Like you're at one end of the gym and the person's at the other, and it's crowded with basketball players between. I don't know how I willed myself into speaking. I just kept trying and trying and one day I could say 'It's Max'."</p>
                                 <p>"Does this happen a lot? With dogs?"</p>
                                 <p>"I don't know. I think it might be. I'm pretty sure the Shar-pei down the hall is Ava Gardner. That could be wishful thinking, though."</p>
                                 <p>"It sucks, doesn't it?"</p>
                                 <p>"Of course it sucks. I had a BS in engineering and a job with the state. Now I run a risk of worms and see in black and white. And suddenly I can smell chili cooking three blocks away."</p>
                                 <p>"Your senses are that good?"</p>
                                 <p>"Sure. I can tell that you went down on Kristen four days ago. It takes that long to wash off because she's a stink--"</p>
                                 <p>"Shut up," I said. "Don't rag on my girlfriend or I'll get you fixed."</p>
                                 <p>"Just don't give me any more of those Gaines Healthy Dog Patties. And don't get me fixed. My sex life is already nil. Women won't dig me anymore, now that I'm less than two feet tall and don't wear pants. And suddenly, I'm fantasizing about other dogs. And not always the <i>right kind</i> of dog, you know? Can I tell you something in total confidence?"</p>
                                 <p>"Max, who could I tell any of this who wouldn't have me committed?"</p>
                                 <p>"I'll be honest, I was strictly hetero before this, but now I see that big retriever in the park and I don't know."</p>
                                 <p>"I think that's normal. Dog's don't get hung up on that shit like people. Remember that stupid joke, 'Why does a dog lick his own genitals?' and the answer's 'Because he can'?"</p>
                                 <p>His eyelids pushed up into his bony head when I mentioned the joke--an unnerving effect. "I'd totally forgotten that joke. Can you give me a minute?" He trotted into the bathroom, nudging the door shut. A few minutes later, he staggered out on four paws.</p>
                                 <p>"Holy shit," he said. "This may not be so terrifically bad. I can blow myself."</p>
                                 <p>I forced him to promise good behavior for Kristen's next visit. She and I hadn't spent time in two weeks; our jobs were busy and the relationship was rocky.</p>
                                 <p>She liked me best if I cooked, so I decided to do a whole chicken with rice and beans, and serve it on some new black plates I'd bought at Pottery Barn. I took Max for a walk on my way to get some acceptably expensive wine.</p>
                                 <p>"Check out the haunches on that Weimeraner," he said. I now understood his so speech thoroughly that he could whisper. "I'm a haunch man. I always used to be breasts, but it's hard when they come in sets of six. I like a little hair but no shag."</p>
                                 <p>"Good looking dog," I said. </p>
                                 <p>"You're an amateur. That's the best looking dog in the park."</p>
                                 <p>Kristen rewarded my dinner, and the wine, with smiles and hand-holding. After dinner, she and I stretched on the sofa and played with Max, who pretended to regular doghood and nipped at our feet. I kept forgetting to call him "Cheese Boy."</p>
                                 <p>"Why do you call him that?"</p>
                                 <p>"He reminds me of Max."</p>
                                 <p>"I thought <i>we</i> called him Cheese Boy. It's strange to name him after your roommate."</p>
                                 <p>"Cheese boy is still his name. He's still our dog. We share custody."</p>
                                 <p>She looked at the little dog and gave a horizontal smile. "Oh, he's such a good boy." She dropped from the sofa to her knees and began to rub Max's head. "So good. Such a handsome puppy dog." Giving me a sideways glance, Max lolled out his massive pink tongue and luridly licked her face, trying to get his tongue between her lips. Kristen pulled back, wiping dog saliva from her mouth, her face wrenched with disgust.</p>
                                 <p>"Goddamn you," I said to Max, "don't lick." I got up and gave him a solid swat on the ass. He barked. </p>
                                 <p>"It's okay," she said. "Don't worry about it."</p>
                                 <p>"He needs to be trained."</p>
                                 <p>"Don't get upset. He's still our good boy. He'll learn."</p>
                                 <p>"He's an immature hound." I gave him a cold glare. He sniffed the air and looked at Kristen, then wrinkled his snout in disgust.</p>
                                 <p>"Enough about the dog," she said, slyly, wiping her mouth. She came across the sofa and sat between my legs. I saw Max slip out of the room; we'd made a deal that if he saw Kristen and I hooking up he'd go into the closet and take a nap.</p>
                                 <p>I was lucky to get a full minute of fondling before Kristen suddenly yelled out, bit my tongue and pulled away. I tasted my own blood. "Jesus!" she said, jerking her leg up. "Your dog was humping my leg."</p>
                                 <p>"He's <i>our</i> dog. And you bit my tongue," I lisped. "Where am I going to put the band-aid? </p>
                                 <p>"Sorry," she said, reaching out to put her hand on my arm. Before she could touch me, she screamed, "Damn it, get off!" The dog was back at her leg. As she tried to kick him away, Max, in retaliation, bit her calf, hard. She screamed.</p>
                                 <p>"Oh, shit," I said. "He's going to the pound. You hear me boy? To the pound." In the candlelit silence after my shouting, Max stood defiantly, slowly lifted his leg, and pissed on the carpet.</p>
                                 <p>"I'm really sorry," he said. "I mean it. It was totally canine behavior and I apologize."</p>
                                 <p>"It was sub-canine," I said. "It was an attack. You'd be in jail if they knew you were human."</p>
                                 <p>"I'm not, though. Sometimes this inner dog gets the best of me."</p>
                                 <p>"It's not very <i>inner</i>. Why did you have to hump her leg?"</p>
                                 <p>"I got caught up in the moment. It was a practical joke, you know? It seemed funny."</p>
                                 <p>"It wasn't funny. I like you being my dog, but I almost got laid, and you blew it for me."</p>
                                 <p>"Why don't you hook up with that chick with the Weimeraner? Then you can get me alone in the doghouse with that piece of shag..."</p>
                                 <p>"I like Kristen. I've liked her for over a year. Your opinion is not relevant."</p>
                                 <p>"I've known <i>you</i> for six years and it's not relevant?"</p>
                                 <p>"You sniff asses, I shake hands."</p>
                                 <p>"I lick my own balls and you jerk off in the shower. Are we so different?"</p>
                                 <p>"You're back on dry dog food if you don't shut up."</p>
                                 <p>"I'll calm down. I've been feeling strung is all. Just take me for a walk?"</p>
                                 <p>I hesitated. "Okay," I said coldly. "Get your leash." He ran to get it and returned with it in his mouth.</p>
                                 <p>"Max, seriously, that can never happen again."</p>
                                 <p>"No guarantees," he said, dropping the leash to the ground. "I'm a dog."</p>
                                 <p>

                                    <div align="center">***</div>

                                 </p>
                                 <p>Despite my doubts, our friendship returned, and before long we worked out some good tricks. Max could howl out famous opera themes. He barked out the answers to multiple choice questions about politics. He proved his value as a roommate by dispatching the rats that snuck into the apartment. He even behaved around Kristen, tolerating her when she scratched his stomach, and hiding in the closet when she began to kiss me. Kristen forgave the bite, even though the scar stayed for months. My tongue healed.</p>
                                 <p>This strange peace was interrupted in the next summer, during a walk through Prospect Park, when Max tore out after a squirrel. I only ever kept a token grip on the leash, and I lost him for a half-hour. When I caught him, he trotted up to me, shame-faced, and I grabbed his collar. "What the hell?" I yelled. People walking on the path behind us stared. "Why did you do that?"</p>
                                 <p>He looked worried. "Take me home," he growled, "right now."</p>
                                 <p>At home, he noisily lapped an entire bowl of water, then said: "I lost control with that squirrel. I couldn't help myself."</p>
                                 <p>"Are you okay?" I asked.</p>
                                 <p>"It's like before I could talk, when I was a puppy. I'm just watching but I can't manage the dog."</p>
                                 <p>"Are there two of you in there?"</p>
                                 <p>"I'm not even sure there's one. Lately I've been feeling the dog really get the better of me."</p>
                                 <p>"What's that mean?"</p>
                                 <p>"It means I may just be a Boston Terrier before long, not Max."</p>
                                 <p>"Don't you think you'll stay like this? You haven't shown any signs before."</p>
                                 <p>"No, I'm pretty confident Cheese Boy is winning out, here. It was an accident that I got to be Max, anyway. I'm going back into dog limbo."</p>
                                 <p>"How soon?"</p>
                                 <p>"I don't know, and I've been thinking, I don't want ten years of being inside of Cheese Boy's head. I don't want a life of vicarious shitting or leg-humping or biscuit eating."</p>
                                 <p>"You haven't done much besides."</p>
                                 <p>"No, I'm not joking here. I want you to take me for a walk in the next couple of weeks, and I'll slip the leash and run under a truck."</p>
                                 <p>"Oh come on. I can't do that."</p>
                                 <p>"I need you to. I can't handle being trapped in a dog. And the only other option is to bite Kristen or someone else, to force you to put me to sleep. Dying near you, under a truck wheel, is a good alternative to a needle jab by a stranger."</p>
                                 <p>"I don't like any of this," I said.</p>
                                 <p>"You're still six feet tall and relatively hairless; you see things differently. Ultimately, it's my choice, right? I could pretend I'm rabid, bite strangers, and they'll have to destroy me. I'm just asking for your help. As a friend."</p>
                                 <p>I hated the thought of my old roommate trapped somewhere inside a dog's body, and after long thought, gave in. A few weeks after that morbid talk, we shook hand to paw, said goodbye, and walked to the Hamilton Expressway. Without warning, Max yanked the leash from my hand and ran beneath a 18 wheel truck. Tires squealed, and his black and white body folded under the wheels. I cried, and the truck's driver, burly and hairy, cried too.</p>
                                 <p>"What was his name?" the driver asked.</p>
                                 <p>"Max," I said. "He was a good friend to me." I said goodbye to the driver, told him I didn't blame him at all, and pulled some rocks, tied together, from my backpack. Careful to avoid spectators, I took Max's body and tied the rope to it, then heaved him into the Gowanus canal, a few dozen feet from the scene of his death. I walked home and sat on my futon and cried. It was hard to lose my closest friend for a second time. I called Kristen to break the news.</p>
                                 <p>"Cheese Boy got hit by a car," I said.</p>
                                 <p>"Oh," she said. "I'm pregnant."</p>
                                 <p>That night, she and I lay on my bed, my hand on her stomach. Max's cardboard bed sat empty. </p>
                                 <p>After some mutual promises and a month to think about it, she moved into my little place. I kept the sheets tucked in, kept my socks off the floor, and she speedily turned fat and half-luminous. I liked it, ignoring the city for my pregnant fiance, rubbing lotion into her stretch marks, feeling pride and little kicks as I did. I grilled cheese sandwiches on rye with ketchup for her; I read novels out loud. Six months into the pregnancy, I found a better job upstate. Our lives would be small, safe, quiet, and wooded. We called movers, rented a house, and fitted a room with a crib and yellow wallpaper.</p>
                                 <p>After some discussion and disagreement, we named the baby Max. He was a healthy boy, 7 lbs 6 oz., with Kristen's hair. I came home each night as Kristen went to work, teaching English as a Second language at the local high school, and I spent the standard stupid hours mooning over the crib, changing diapers and dangling shimmering things above his face, gum wrappers and plastic rattles, ignoring the work piled in my study. (A house so big it had a study!)</p>
                                 <p>One night, thinking of my old roommate, winding the musical mobile above the crib, I looked down on my boy and said: "I hope you're not re-incarnated, too."</p>
                                 <p>And thank God, he didn't answer back.</p>
                              </f:content>
                           </f:arb>
                           <f:arb id="archive_subway_19971103" publish="1997-11-03" release="no">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>Socks (not the cat) and Masturbation</f:title>
                              <f:content role="#Description">My god, reading some of these entries later, I wasted my fucking time.</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>Deeply sexual dream about Cybil Shepherd, which is just funny, especially if you know how unstylish and fat I am. She grabbed my shirt and said, "I'm going to fuck your brains out."</p>
                                 <p>I didn't disagree. Of course, like real life, we never actually did anything. The dream ended with her calling her agent and saying to me, "Just a minute! I still want to!"</p>
                                 <p>I used to like her on <cite>Moonlighting</cite>; she co-starred with the barely-known Bruce Willis. I was in middle school. She had legs. All the conditions for a one-handed romance were met.</p>
                                 <p>My friend Alex told me that he used to watch <cite>Friday Night Videos</cite> when he was about thirteen, in hope of seeing the Madonna video set in a peepshow. He would jerk off into a sock.</p>
                                 <p>"I went through <i>a lot</i> of socks." he said. "Once, I went to a friend's house, my best friend Mike Adam, and he had Cinemax. I was...fourteen? I woke up at two AM for some reason; he was asleep and the TV was still on, and Cinemax had some bad softcore porn.</p>
                                 <p>"What the hell could I do? You never see anything like that at home. To not jerk off would be wasting it."</p>
                                 <p>"What did you do?" I asked.</p>
                                 <p>"I tried to think of, you know, baseball, or old midgets, or cornish hens, or even my dad, but it wouldn't go away. So, finally, I went into his closet and jerked off into one of Mike's socks."</p>
                                 <p>"That's just nasty."</p>
                                 <p>"No, nasty is when my friend Tim comes to visit and jerks off while I'm asleep, and then he wakes me up to tell me about it. He's like: 'I jerked off and you were asleep.' Ulgh."</p>
                                 <p>"Into a sock?"</p>
                                 <p>"Yes," he said, "a sock."</p>
                              </f:content>
                           </f:arb>
                           <f:arb id="archive_subway_19971104" publish="1997-11-04">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>04 Nov 97</f:title>
                              <f:content role="#Description">Boogie Nights</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>Saw <cite>Boogie Nights</cite> tonight. Like Mark Wahlberg's character, Dirk Diggler, it was long and dumb. The lack of plot surprised me because the reviews are great. Mark Walberg is serviceable, Julianne Moore underutilized. How could someone make a movie about sex so boring? </p>
                                 <p>Weak character development, too, with only-slightly-better-than-porn-flick dialogue, and it managed to rip off a lot of better films, from <cite>Reservoir Dogs</cite> to <cite>Raging Bull</cite>.</p>
                                 <p>It played at a gorgeous theater in the East Village, on 12th and 2nd Avenue. I went with my friend Elizabeth. Our uncertain friendship doesn't have a platform for a sex conversation, so until we could come up with another topic we didn't say much. I did say, "I thought it was too long." Pause. "No pun intended." It really hadn't been. Pause. "Sorry."</p>
                                 <p>"That's okay. Inexcusably stupid, but forgiveable." She frowned.</p>
                                 <p>In other news, my bathroom hisses like a snake. I've placed my ear on every pipe and can only assume it's the heat coming on through the building. The hiss is worse in the second floor hallway, which calms my fears. I was convinced my apartment would explode. Now I'm convinced the <i>building</i> will explode, which is still bad but at least not my fault.</p>
                                 <p>And now I realize I made tea three hours ago in my one-cup-single-guy-no-need-to-make-tea-for-two tea maker, and it's sitting there cold as a stone.</p>
                              </f:content>
                           </f:arb>
                           <f:arb id="archive_subway_19971106" publish="1997-11-06">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>06 Nov 97</f:title>
                              <f:content role="#Description">A lunchtime discussion.</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>I went to lunch with a beautiful woman who employs me on a freelance basis. She is brightly attractive, smart, and good at her job. She deeply loves her husband. She came back after lunch to check out my office and look at the view over the Upper West Side. After she left, a nosy sales guy asked how I knew her. I told him she was my psychic counselor, examining the Chi energy of the company. It pissed him off.</p>
                                 <p>It sounds like I'm sexually attracted to her, doesn't it? The truth is different: I'm impressed. I say, "My God! I hope I meet a person like her, some day, when I'm ready and grown up and taking good care of myself." Which, at the current rate, will take slightly less than 45 years. </p>
                                 <p>Disregarding the lonely future, it was pleasant. After lunch my lungs still breathed the in-the-company-of-someone-lovely feeling. You don't get that often, and there it was. </p>
                              </f:content>
                           </f:arb>
                           <f:arb id="archive_subway_19980110" publish="1998-01-10">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>10 Jan 98</f:title>
                              <f:content role="#Description">Nostalgia, 2030 AD</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>Over email, we discussed a <a href="http://www.luckymojo.com">web site put up by a middle-aged hippie</a>, and the feeling of nostalgia and honesty it evoked. There seemed to be a warmth and sense of history in her young life that we don't have.</p>
                                 <p>My friend Laura wrote: "all we have is bad sitcom references &amp; happy meals--and Kennedy (the vj)...."</p>
                                 <p>I don't disagree, but I wondered about our sentimental attachments. Looking at my Macintosh screen, I decided that we'll see this early Internet and email as nostalgic, with its heaps of icons and screen savers.</p>
                                 <p>Sex will be different in thirty years, probably more complicated, equal, strange, and open at the same time. Fibers and colors will itch less and stay brighter. We'll have forgotten Bud Dwyer, who blew his brains out on TV. The Human Genome Project will be finished, and whatever Golems shall come from its spiral loins will begin arriving. We'll remember ourselves as wild and lonely, lamenting our squandered twenties. We'll know how foolish it was to feel guilty about kissing a drunk girl; we should have felt more guilty about eating cheese and bacon in the same sandwich. We'll remember the raw state of medical science, the diseases we could get today that would have killed us thirty years ago, in the 1990's. We'll remember our parents and grandparents as their hair grayed and their faces folded up like napkins, and finally the green cold of their Pennsylvania funerals. We'll remember college with a feeling of heavy warmth in our chests and a little longing. We'll wonder why we never really grew up, never ended up as adults, like our parents did. Our children will grow up and wonder why <i>they</i> never grew into adulthood like <i>their</i> parents did.</p>
                                 <p>The Challenger explosion. Eating popcorn with real butter and parmesan. Watching cable at 2 in the morning, alone, barefoot and blanket-wrapped. When my ten year old son screams "I hate you" to me, over and over, throwing his futuristic electro-toys, I will remember lonely, difficult years as wonderful and free. Our movies, like "Titanic" or "L.A. Confidential," or "The Breakfast Club," will turn into dated classics. Our histories will be annexed, contextualized, written down, remarked upon, and added to the empty march of decades that swell the shelves of big bookstores: <cite>The 90's: a History.</cite> The literary classics of our decade will appear in anthologies. College students will wear our old clothes to theme parties. Sharp photos will look dim and faded compared to the imaging technology of the future. This web site will be an electronic cave painting. </p>
                                 <p>That's the short list. It's a big switch, yesterday for tomorrow, and today usually gets lost in the move.</p>
                              </f:content>
                           </f:arb>
                           <f:arb id="archive_subway_19980112" publish="1998-01-12">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>12 Jan 98</f:title>
                              <f:content role="#Description">Fordian Analysis</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>Despite yesterday's entry 11-jan-98, and the way it disparaged text analysis, I spent a good deal of Friday night creating some custom electronic tools for the analysis of text.</p>
                                 <p>Eventually, my tools will analyze the dialogue and narration of novels, and the speaking styles of play characters, because that's the sort of thing that interests me. But last night, making baby steps, I asked my program to tell me the number of characters, number of words, number of sentences, and the top 200 words by usage in a text file. The program is tentatively called "Word Fucker 2.0."</p>
                                 <p>I started with my own work, and analyzed December's journal.</p>
                                 <p>First of all, I wrote 75 pages in December, according to the 250-words-per-doublespaced-page rule, and 1608 sentences. My average sentence was 11.2773631840796 words long, give or take a few nanosentences. That's a healthy, brief length, probably skewed to the short end by my propensity for short chunks of dialogue. Henry James wrote sentences 650 to 8000 words long, so I'm about 65 to 800 times away from the literary endurance of my hero Hank. Until I reach his level, I'll just model my sex life after his.</p>
                                 <p>The linear meat of the output is found in the "word order" section. After "the" and "and," "I" came in at a robust 554 mentions, and "me" at 117, for a total of 671 personal pronouns. I'm an egotistical bastard; my readers take up less than half as many thoughts: "you" shows up 229 times. "He" shows up 98 times, "his" 80, and "she" 79, and "her" only 61. You might then suppose that I am male. For the time being, you'd be right!</p>
                                 <p>My writing includes 1.14:1 ratio of dogs to hippos. I also equate "Paul" with "God," since both show up 15 times, but "sex" and "head" beat them both off at 16. Jesus finds second billing at 14, and most of those mentions were sacreligious. I'm going to hell. Further proof of my damnation came when I saw that "woman" appears before "religion" and "church."</p>
                                 <p>"People" are more important than "work," and while "insurance" is more important than "family," "family" ranks over "Brooklyn." "Dad" and "Son" end up near the top, because of the <cite>Career Development</cite> series.</p>
                                 <p>Looking at these inconclusive results, I thought it might be interesting to write the quintessential Paul paragraph, ala yesterday's "perfect historical sentence." Here it is, culled from the top 0.5% of December's journal:</p>
                                 <blockquote>
I gave Jesus some good Brooklyn sex. "Great head," he said. "But am I insurance for the ill religion?"
<f:content>
                                       <p>"Its Christmas," I said. "We are always trying."</p>
                                    </f:content>

                                 </blockquote>
                                 <p>There you have it--the culmination of four months of nightly writing and almost 100,000 words of text. Now that I've given this compressed text to my readers, I can quit writing this fool journal. So I close these months with a nod to John Baldessari, and report: <b>Quality Material, Careful Inspection, Good Workmanship: All Combined In An Effort to Give You A Perfect Sentence.</b>

                                 </p>
                                 <p>You're welcome.</p>
                              </f:content>
                              <blockquote>
I gave Jesus some good Brooklyn sex. "Great head," he said. "But am I insurance for the ill religion?"
<f:content>
                                    <p>"Its Christmas," I said. "We are always trying."</p>
                                 </f:content>

                              </blockquote>
                           </f:arb>
                           <f:arb id="archive_subway_19980121" publish="1998-01-21" release="no">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>21 Jan 98</f:title>
                              <f:content role="#Description">From Rant to Reason</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>

                                    <b>From Rant to Reason</b>

                                 </p>
                                 <p>This began as a rant against Ted Rall. Ted Rall is the best editorial cartoonist alive, but he wrote a heap-o'-shit essay that pissed me off.</p>
                                 <p>First, I advise you to read his column about the death of "cool" New York. <a href="http://www.uexpress.com/ups/opinion/column/ru/rallcom/ru971203.html">Check it out online</a>, then come back if you want to.</p>
                                 <p>Now, here are some amusing excerpts from my spontaneous, raging rant responding to this column:</p>
                                 <blockquote>

                                    <font size="-1"/>

                                 </blockquote>
                                 <p>In any case, It exhausted me to read another "New York was cool when I was first here" essay. In the late 1600's, Native Americans probably said, "New York was cool before we traded it for 24 dollars in beads and shells." And sure, the 1980's were nifty, with AIDS and graffiti and all, but they didn't have anything on the <cite>Sweet Smell of Success</cite> New York of the 1950's for sheer smooth evil badass cool, the New York Dolls and Keith Haring be damned. Ted Rall isn't really lamenting cultural shifts, anyway--he's lamenting getting old. His twenties are over; he's got an official job as an angry liberal. The squalor moved from his apartment on the Upper West Side to other parts of the city, but he stayed where he was, and he misses it. I suppose I'll whine about the cultural richness of 1990's New York when I hit 35, too. </p>
                                 <p>Why <cite>should</cite> we miss squalor, grime, fear, and crime? Nostalgists want it back, AIDS-free, all the heroin and skinny-tie coolness, with scary punk rock for the soundtrack. It's tough to face up to assimilation: anymore, a mohawk haircut is about as interesting as a mohair sweater, and people wear leather pants to work.</p>
                                 <p>Missing the old, badass New York is a kind of psychic colonialism. The misery of others provided a dramatic backdrop to a young artist's New York life. It provided inspiration; there was always something scary, or infuriating, right in the alley. I doubt little old ladies or people with new jobs miss it much, though. As for the old, filthy New York, it's still here. A year ago, my friend Alex, who lived on 45th St, watched crack hookers blow grandpas in the "porking lot" behind his apartment. He moved. My roommate got a bottle thrown at him when I lived in Jersey City, and teenagers harassed us when we walked around. We moved. I know a gay guy who just stopped having lots and lots of many-partnered sex. He got tired of it.</p>
                                 <p>Sometimes, in my new neighborhood, someone rolls a blunt in my lobby, but danger stops there. If you want a living Hogarth, move far uptown, or out to Williamsburg, Brooklyn, where artists still live in factory lofts and there's plenty of heroin for sale. I'll stay where it's safe. </p>
                              </f:content>
                              <blockquote>

                                 <font size="-1"/>

                              </blockquote>
                           </f:arb>
                           <f:arb id="archive_subway_19980122" publish="1998-01-22">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>22 Jan 98</f:title>
                              <f:content role="#Description">Sarah McLachlan</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>A very quick entry: I stayed at work late today, and programmed an exciting, thrill-a-minute documentation system. As I worked, I listened to a Sarah McLachlan album, <cite>Surfacing</cite>. One of the songs is called "Building a Mystery." The words "building a mystery" repeat over and over.</p>
                                 <p>Suddenly, an excited, halfwit thought came to me. As I typed:</p>
                                 <blockquote>

                                    <tt>print qq|&lt;A HREF="${$Array_Of_Files[$Next_File]}.html"&gt;$Section_Title: $File_Title&lt;/A&gt;| if $Next_File_Boolean;</tt>

                                 </blockquote>
                                 <p>At once, a dry and boring evening glowed with exciting possibility. A simple change would make this lustful pop song into a sublime, meaningful, and politically charged statement about female circumcision.</p>
                                 <blockquote>

                                    <br/>	He wears sandals in the snow,
<br/>	And a smile that won't wash away.
<br/>	Can you hear how the wind blows?
<br/>	Clitoridectomy.
<br/>	Yeah, clitoridectomy.
</blockquote>
                                 <blockquote>
11 Daevember 8011
<f:content>
                                       <p>Dear Ms. McLachlan:</p>
                                       <p>Please allow my humble self to make a considered suggestion to your esteemed personage. I am a political sort of the librarian kind of persuasion, and recently heard your song, "Building a Mystery" (henceforth referred to as BM). It occurred to me, as it no doubt has occurred to you, as you are esteemed and thoughtful, that the word "Clitoridectomy" (henceforth referred to as Clit., et. al.[sic]), could replace the words BM (Abbreviated from "Building a Mystery"). Thus you could make a clear statement on female circumcision (previously referred to as Clit., et. al. [abbrv., "Clitoridectomy"]) to the assembled disc-purchasing mob (DPM).</p>
                                       <p>I remain faithfully,</p>
                                       <p>
                                          <br/>Jorges Luis Borges
<br/>Emperor of Tlön</p>
                                    </f:content>


                                    <p>Please allow my humble self to make a considered suggestion to your esteemed personage. I am a political sort of the librarian kind of persuasion, and recently heard your song, "Building a Mystery" (henceforth referred to as BM). It occurred to me, as it no doubt has occurred to you, as you are esteemed and thoughtful, that the word "Clitoridectomy" (henceforth referred to as Clit., et. al.[sic]), could replace the words BM (Abbreviated from "Building a Mystery"). Thus you could make a clear statement on female circumcision (previously referred to as Clit., et. al. [abbrv., "Clitoridectomy"]) to the assembled disc-purchasing mob (DPM).</p>


                                    <p>I remain faithfully,</p>


                                    <p>
                                       <br/>Jorges Luis Borges
<br/>Emperor of Tlön</p>

                                 </blockquote>
                                 <p>
Then--it was inevitable--she would ask me to tour with her, as her backup singer. Before a throng of screaming fans, whenever it came time to sing the word, <i>my word</i>, she would stop mid-phrase and let me croon it out, by itself, alone with the throbbing, thronging crowd, and the microphone. My 5.2 seconds of fame! <a href="sound/clitoridectomy.wav">It would sound kind of like this</a>. 
</p>
                                 <p>As I gradually eclipsed Sarah in fame, there would come groupies, and heroin, and body-cavity insertion of many-toothed skinks, and some bad things, too. Like the humiliating appearance on Oprah where Oprah lets me eat peanut butter off her ample chest, and we, to speak metaphorically, "cross the icy bridge of passion," and suddenly Oprah's naked on my lap and we're going at it like cane toads, with the nation watching, and <i>then everyone sees how hairy my back is</i>. Never have I felt such shame, not even over my secretly videotaped night of oral slavery with vice-president Gore (he's nowhere near as stiff as they say), nor even at the ensuing scandal with the dairy board, where I used something for my milk moustache that was not milk.</p>
                                 <p>After all of this excess, I'd need some time in Betty Ford, followed by time in the Betty Ford Clinic, where I meet all the guys from bad 1980's hair bands:</p>
                                 <blockquote>


                                    <f:content>
                                       <p>

                                          <b>Me</b>: Sebastian Bach! From Poison? Or was it Skid Row? What are you in here for? Hairspray addiction?</p>
                                       <p>

                                          <b>Sebastian</b>: Fuck you!</p>
                                    </f:content>


                                    <p>

                                       <b>Sebastian</b>: Fuck you!</p>

                                 </blockquote>
                                 <p>What a blessing, this sudden inspiration. To use another metaphor, "the Gowanus expressway to fame and riches was just cleared of traffic." I'll send that letter to Sarah tomorrow. Save this diary entry--when it all happens, you'll be able to prove you knew about me first. Or maybe you'll just be interviewed as a witness at my trial.</p>
                              </f:content>
                              <blockquote>

                                 <tt>print qq|&lt;A HREF="${$Array_Of_Files[$Next_File]}.html"&gt;$Section_Title: $File_Title&lt;/A&gt;| if $Next_File_Boolean;</tt>

                              </blockquote>
                              <blockquote>

                                 <br/>	He wears sandals in the snow,
<br/>	And a smile that won't wash away.
<br/>	Can you hear how the wind blows?
<br/>	Clitoridectomy.
<br/>	Yeah, clitoridectomy.
</blockquote>
                              <blockquote>
11 Daevember 8011
<f:content>
                                    <p>Dear Ms. McLachlan:</p>
                                    <p>Please allow my humble self to make a considered suggestion to your esteemed personage. I am a political sort of the librarian kind of persuasion, and recently heard your song, "Building a Mystery" (henceforth referred to as BM). It occurred to me, as it no doubt has occurred to you, as you are esteemed and thoughtful, that the word "Clitoridectomy" (henceforth referred to as Clit., et. al.[sic]), could replace the words BM (Abbreviated from "Building a Mystery"). Thus you could make a clear statement on female circumcision (previously referred to as Clit., et. al. [abbrv., "Clitoridectomy"]) to the assembled disc-purchasing mob (DPM).</p>
                                    <p>I remain faithfully,</p>
                                    <p>
                                       <br/>Jorges Luis Borges
<br/>Emperor of Tlön</p>
                                 </f:content>


                                 <p>Please allow my humble self to make a considered suggestion to your esteemed personage. I am a political sort of the librarian kind of persuasion, and recently heard your song, "Building a Mystery" (henceforth referred to as BM). It occurred to me, as it no doubt has occurred to you, as you are esteemed and thoughtful, that the word "Clitoridectomy" (henceforth referred to as Clit., et. al.[sic]), could replace the words BM (Abbreviated from "Building a Mystery"). Thus you could make a clear statement on female circumcision (previously referred to as Clit., et. al. [abbrv., "Clitoridectomy"]) to the assembled disc-purchasing mob (DPM).</p>


                                 <p>I remain faithfully,</p>


                                 <p>
                                    <br/>Jorges Luis Borges
<br/>Emperor of Tlön</p>

                              </blockquote>
                              <blockquote>


                                 <f:content>
                                    <p>

                                       <b>Me</b>: Sebastian Bach! From Poison? Or was it Skid Row? What are you in here for? Hairspray addiction?</p>
                                    <p>

                                       <b>Sebastian</b>: Fuck you!</p>
                                 </f:content>


                                 <p>

                                    <b>Sebastian</b>: Fuck you!</p>

                              </blockquote>
                           </f:arb>
                           <f:arb id="archive_subway_19980123" publish="1998-01-23">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>23 Jan 98</f:title>
                              <f:content role="#Description">Aliens and Ghosts</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>A Subway Diary reader is conducting research on those who believe in ghosts and aliens. I don't believe in either, but she asked me to participate anyway. Because my brain is a mess right now, I'll plead sleepiness and let her question, and my bloated answer, substitute for an entry.</p>
                                 <p>You're entirely welcome to make me uncomfortable; I enjoy being questioned on these topics, as they are lately on my mind, and I find it useful to write them out. But I think you'll be disappointed in the drabness of my answers.</p>
                                 <p>I have never experienced any direct contact with extraterrestrials, nor with ghosts.</p>
                                 <p>If they did, I would find it reasonable to believe that any techno-centric, space-travelling culture would wish to analyze the human world culture scientifically, whether through sampling and abduction, or through other, more abstract means. But that's a sort of anthropomorphism; most likely we would be hard pressed to understand the motives of creatures so differently evolved.</p>
                                 <p>As for more terrestrial visitations, I assume that by talking about "ghosts," you're referring to "manifestations of the spirits of dead people." I do not have any hard beliefs here, either, but have encountered people whom I believe to be intelligent, sane, and trustworthy, who have related to me their direct experiences with spiritual and psychic, phenomena.</p>
                                 <p>While they have described their experiences as "ghosts" or "spirits," I do not believe we are contacted by the dead. I rather firmly believe that human beings are the sum of their genes, and upon death, their "being" ceases entirely. I have never experienced measurable evidence of a soul.</p>
                                 <p>I do believe, most days, that humans communicate emotionally, without using language, physical contact, or vision. I am undecided as to how this works. I have two ideas:</p>
                                 <ol>


                                    <li>Emotional involvement with another person "syncs" their thinking processes, emotional processes, and hormonal cycles. These "synced" people then experience life similarly, even if separated. They thus "know what the other person is thinking" and experience an intense, shared bond with others.</li>

                                    <li>A sixth sense informs one person of the emotional state of the other.</li>

                                 </ol>
                                 <p>I tend towards the first, but occasionally hear evidence of the second.</p>
                                 <p>To return to your question, I believe that human beings are emotionally explosive animals. If above proposition 2 is true, then I would say that "ghosts" are outward expressions of very excited emotions through that sixth sense, which we then label as "spirits." The psychiatrist Carl Jung might agree with me, although he's dead and no longer returns calls. </p>
                                 <p>Most descriptions of "visitations" indicate that the visited was going through psychic turmoil at the time of the manifestation. I think this indicates a process of externalization. I believe that "ghosts" are our internal demons, but we name them after the dead.</p>
                              </f:content>
                              <ol>


                                 <li>Emotional involvement with another person "syncs" their thinking processes, emotional processes, and hormonal cycles. These "synced" people then experience life similarly, even if separated. They thus "know what the other person is thinking" and experience an intense, shared bond with others.</li>

                                 <li>A sixth sense informs one person of the emotional state of the other.</li>

                              </ol>
                           </f:arb>
                           <f:arb id="archive_subway_19980127" publish="1998-01-27" release="no">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>27 Jan 98</f:title>
                              <f:content role="#Description">(100 Days of Solitude in the Time of Cholera, with Footnotes)</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>THE SUBWAY DIARY IS 100 DAYS OLD TODAY!</p>
                                 <p>If it were a baby, its grasp would be weak, its perception blurry, and it would live a life of nipple-sucking, crying, giggling, shitting, and pissing.<font size="1"/>

                                 </p>
                                 <p>Yeah, so I went out with my friend Alex to celebrate. We snorted baking soda (since coke gives me a nosebleed) and hung out for a while in our favorite dingy bar in the Village<font size="1"/>. It looked good I would hook up with this girl; she was dressed up as Tip O'Neill<font size="1"/>. She works in Washington as a dominatrix, and she told me the outfit is a big pull<font size="1"/> . </p>
                                 <p>Call me a waggling hooligan<font size="1"/>, but it's been my fantasy since I was eleven to eat a jelly roll from the ass crack of Tip O' Neill.<font size="1"/>

                                 </p>
                                 <p>Imagine my frustration when she refused. I flashed my wallet, but since it only held my college ID<font size="1"/>, she turned and walked.</p>
                                 <p>So that cut that part of the night short, so we got all these alley cats--you know the ones I mean? in that parking lot in Soho?<font size="1"/>--and shaved the squirming little bastards with my Alley Cat Shaver brand alley cat shaver (pat. pend.)<font size="1"/>. But they won't let us bring the cats into the Angelica<font size="1"/>, so we let 'em free.</p>
                                 <p>I get some odd compulsions...<font size="1"/>[dictaphone cuts off]<font size="1"/>

                                 </p>
                                 <p>

                                    <font size="1"/>effin = "F"-in' = Fuckin'.</p>
                                 <p>

                                    <font size="1"/> The obvious joke at the end of this sentence would be to say, "come to think of it, this describes my life pretty well." Admirable effin<font size="1"/> restraint, don't you think? Especially considering how sophomoric this thing is.</p>
                                 <p>

                                    <font size="1"/> This bar is so cool it cannot be named. It's in a basement, and it's kind of grimy. The only people who get to come to this bar are aspiring Midwestern poets dying to discuss Baudrillard. It's so exclusive you need to show your thesis to get in. There are thousands of bars like this in New York, but you're required to take a written exam to gain entrance. Everyone else has to go to "Jekyll and Hyde."</p>
                                 <p>

                                    <font size="1"/> Tip O'Neill was Speaker of the House, a Democrat, and a donut-eating, lobster-skinned Irishman of the last true political generation. From 1992 to 1997, he has been dead. His natural eroticism is rarely examined in the popular media, although Camille Paglia<font size="1"/> might get to it, if you ask her.</p>
                                 <p>

                                    <font size="1"/> Other popular dominatrix costumes are Nancy, Barbara, and Socks.</p>
                                 <p>

                                    <font size="1"/> For those who don't get the joke, "The Ass Crack of Tip O'Neill" is a song by Bruce Springsteen.</p>
                                 <p>

                                    <font size="1"/>Portions of this sentence originally appeared in "Visions of Peace," by Albert Schweitzer. It originally read, "Call me a waggling hooligan, and I'll kick your ass."</p>
                                 <p>

                                    <font size="1"/>The original reference for note number five has been edited out, so I will simply point out that I heard a radio commercial for geriatric diapers today, in which an old-sounding woman said, "I never have to worry about my bladder anymore. It's the best thing since hot buttered toast."</p>
                                 <p>That's one hell of a comparison.</p>
                                 <p>

                                    <font size="1"/>"Soho" was named after the cry of "soupers," men who travelled the streets and both sold soup and negotiated for the purveyance of prostitutes. Their cry, "Soup! Whores!" was abbreviated in practice to "Soho! Soho!" Because of the number of hungry, single, male imported laborers in Manhattan's Lower East Side, a ready market was found for the souper's wares.</p>
                                 <p>(<cite>New York The Way It Was Meant To Be</cite>, by Francis 1/cos Atra, 1965.)</p>
                                 <p>

                                    <font size="1"/> Bet you didn't know I'm an inventor, as well as a brilliant humorist and the main reason for women to stay indoors. If anyone tries to patent an Alley Cat Shaver before me, I'll break their arms and legs and they can patent the goddamned wheelchair, instead. I've worked thirteen years perfecting the Alley Cat Shaver. It contains three thousand moving parts and does not require the cat to be literate. I read the case story of the guy who invented the methane-powered waffle iron, who got beat to the kay oh by the Japanese in 1986. It's not happening to me, so you can keep your goddamn exclusive contracts and your effin<font size="1"/> political Frankenstein death machine. I won't sell out even if my shaver means the end of national security, which it goddamn well might. This'll be the biggest thing since the Garden Weasel, and I'm going to make a million or more and I doubt any sonofabitch from the Pacific Isles is gonna take the cash from my arms to put back into his sonofabitch country. Finally, without a complicated generator, without an FCC license, everyone will be able to shave their own alley cat. Every effin alley cat in God's own you ess of aye will be shaved smooth as a waxed Camaro. That's gonna be <b>my</b> legacy, not some sonofabitch foreigner criminal spy bastard satellite asshole's.</p>
                                 <p>

                                    <font size="1"/>The Angelica is a culturally significant movie house which sells an eight dollar cup of coffee.</p>
                                 <p>

                                    <font size="1"/> Okay, as for compulsions, for a few weeks there, I listened to music from the 1940's on my record player, and trained myself to sing in the Tin-Pan Alley decrescendo-crescendo-falsetto style. I get interests like a compulsive idiot, pursue 'em, then move onto another topic. What a geek.</p>
                                 <p>The week before that, it was rendering harmonic waves on my homegrown oscilloscope and searching for chord structures. What a geek.</p>
                                 <p>The week before that, it was a bottle of lotion and, well, yeah. What a geek.</p>
                                 <p>The week before that, it was Barrel of Monkeys and Tetris. What a geek.</p>
                                 <p>The week before that, it was Henry James. What a geek.</p>
                                 <p>The week before that, it was Orson Welles. What a geek.</p>
                                 <p>The week before that, it was electronics theory. What a geek.</p>
                                 <p>The last 100 days, it's been the Subway Diary. What a geek.</p>
                                 <p>

                                    <font size="1"/>this ending happened <cite>ex machina</cite>.</p>
                                 <p>

                                    <font size="1"/> I propose a tense of "paglia" as a verb:</p>
                              </f:content>
                           </f:arb>
                           <f:arb id="archive_subway_19980131" publish="1998-01-31">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>31 Jan 98</f:title>
                              <f:content role="#Description">Workplace Limericks</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>

                                    <b>A few verses from "Worker's Limericks"</b>

                                 </p>
                                 <p>He sings:</p>
                                 <p>
                                    <br/>I once loved a woman, and listen:
<br/>Her affection went into remission
<br/>Her job was in sales,
<br/>Her heart hard as nails--
<br/>For she only could love on commission

</p>
                                 <p>She sings:
</p>
                                 <p>
                                    <br/>I was seeking a way to advance
<br/>When the CEO asked me to dance.
<br/>"To smash the glass ceiling
<br/>You'll need to start kneeling,"
<br/>He said, unzipping his pants.

</p>
                                 <p>Chorus:
</p>
                                 <p>
                                    <br/>Smile, nod, and grab your ankles;
<br/>You'd better be sincerely thankful
<br/>In a world full of slobs,
<br/>We gave a clown like you a job.

</p>
                                 <p>

                                    <b>Enter:</b> Fishmongers, who perform a traditional Baltic "Fish Slapping" dance.
</p>
                                 <p>

                                    <b>Curtain</b>


                                 </p>
                              </f:content>
                           </f:arb>
                           <f:arb id="archive_subway_19980206" publish="1998-02-06" release="no">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>06 Feb 98</f:title>
                              <f:content role="#Description">Porn and the chicks I loved.</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>My ex-girlfriend sexually identified with porn. Pictures of naked women aroused her. I have less of a response. I like nude photography, if the airbrush artist leaves the hair brown and the curves intact, but I've only ever purchased one porn mag. It doesn't do the trick.
</p>
                                 <p>Some pornography makes me laugh, especially the kind with gaping mouths and atrocious prose:
</p>
                                 <blockquote>
Debbie was a <b>FRESH</b>man in college, and while all the other girls partied she stayed in the library. She was <b>STUD</b>ying her anatomy textbook and little did she realize that Jorge, with his book cart, would soon be stocking her shelves with page after page of <b>CLIT</b>erature.
</blockquote>
                                 <p>This brief text accompanies photos of Candy, impaled on a penis the size of an organ pipe. She leans on the bed with a yogic posture, her heels touching her backbone, fingernails digging into Jorge's lower back. A bored photographer, tilting the lighting umbrella, yells out, "show more ecstasy!" Her mouth opens wider, in a goblin-grimace of feigned orgasm. A Photoshop expert will remove her tattoo, because she's portraying a good girl, and then use the "clone" and "smudge" tools to fix a tilted tooth. A printer will shake his head at how he makes his living, sending the plates to press. Pakistani newsstand vendors will stock the magazine well behind the counter, out of the thieving hands of horny adolescents.
</p>
                                 <p>The romance of this eludes me. Sex is better when it's written down, without pictures. Anais Nin proved that fantasy could travel deep into the reader, uncovering quiddities and secrets. It was about unrestricted pleasure, free of social rules. It releases you, for a few safe hourse, from a pleasant, simple, slightly boring monogamous life.
</p>
                                 <p>My last relationship finished with Rhonda, previously a chunky freshman dressed in unmatched clothes, metamorphosed into a woman who worried greatly about dresses and shoes and how to best display her breasts. I couldn't make myself interested in this latter-day person, even though I tried. Scared to lose her to someone else's moving fingers, I wanted to stop her journey into becoming an attractive, open woman. I'm out of shape, my head doesn't always work, and until recently, I wore clothes held together with paper clips. Her progress into the world of healthy, sexy women left me behind; she went ahead without me.
</p>
                                 <p>After she came into this erotic power, I bored her. We began to fill our time with fussing, meaningless arguments. She'd come out from under her crush on me, and I was no longer the sonorous, handsome, brilliant man who made up stories on college radio. I now made $28,000, lived in Brooklyn, skulked, and felt worn and grumpy. My talents and humor filled up with cynicism. Our geographical distance emphasized the emotional distance. When she visited, sex was an organic, straightforward exercise at avoiding arguments.
</p>
                                 <p>She had the body for being beautiful, but not the face, and her thin lips and dented nose flustered her. I thought she was lovely, smooth and strong, but I was resolved not to care how she looked, and often mentioned that she looked very nice and was very sexy, but did not vary the tone or nature of my compliments. To me, it was like painting a picture--when she looked beautiful, she had painted a lovely landscape. It looked like her, but it wasn't her. I didn't care about her looks as much as what stories she could tell me, or that she could play piano, and I could not make myself care about her red coat, no matter what I tried. I did try.
</p>
                                 <p>The other day my friend Eli and I were speaking to a big woman, wearing a truly hot outfit: velvet shirt, skirt, boots, lacy bra beneath. Eli analyzed thus: "there's something disturbing about how erotic she is; it's very conflicting." He spoke about if for a while, and I responded, "Eli, she's freakin' HOT. She's fat, and older, sure, but she's red-streak-crazy sexy." I don't think the former precludes the latter.
</p>
                                 <p>What threw him off was the classic, masculine, sex-boolean operation. He asked: "does she belong to the set of women I would sleep with or does she belong to the set of women I would not sleep with?" He forgot about the overlapping area, the "and" space, that contains attractive people with whom you appreciate as erotic, interesting beings, but with whom you will not become involved.
</p>
                                 <p>Many people exist in this limbo, in the "and." I exist there; women get curious about my big foolish, self, and start calling and wondering. They like my sense of humor, my eyes, the fact that I'm an acceptable lover. But they usually end up "forgiving" me for my faults. Nothing grates like unasked-for forgiveness, and their pity becomes an icy wedge.
</p>
                                 <p>It is an accomplishment for a man to gain the affection of an attractive woman. A man looks at a picture in Playboy and says, "If I had her, I would be on top of the world." He's thinking in terms of possession and power, not in terms of love or affection. But so is everyone else. It's not the right way, but it's the way it is.
</p>
                                 <p>A beautiful body is a symbol, a series of well-assembled curves and angles. "Why is she beautiful?" It's a question like: "Why is gold valuable?" We desire because we are asked to desire; because we must want something. People of both genders believe in big breasts, tiny waists, and hips. It's faith without question. In a generation or two, the rules will have changed, but it comes slow enough that no one will notice, saying things like "real beauty is unchanging" as things beautiful evaporate and reconstitute around us.
</p>
                              </f:content>
                              <blockquote>
Debbie was a <b>FRESH</b>man in college, and while all the other girls partied she stayed in the library. She was <b>STUD</b>ying her anatomy textbook and little did she realize that Jorge, with his book cart, would soon be stocking her shelves with page after page of <b>CLIT</b>erature.
</blockquote>
                           </f:arb>
                           <f:arb id="archive_subway_19980209" publish="1998-02-09">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>09 Feb 98</f:title>
                              <f:content role="#Description">Lazy boy weepy boy whiny boy.</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>I do not want to write a journal essay today.
</p>
                                 <p>I have absolutely no desire to entertain.
</p>
                                 <p>I want a companion to while away my hours, to bother me about the dishes in the sink. Currently, my most significant companion is the Subway Diary.
</p>
                                 <p>Perhaps I should have a puppy.
</p>
                                 <p>This diary is a goddamned noose around my neck.
</p>
                                 <p>Some poor terrier, low-haunched.
</p>
                                 <p>I like dogs.
</p>
                                 <p>I distrust people who don't like dogs. Those people are deviant.
</p>
                                 <p>(Have you ever considered the little tests we create to approve of one other? The movies a person should like, favorite colors, whether they enjoy a certain animal? I like dogs and cats, and am kind to both. But most, I like a leaping, bounding, affectionate, thoroughly stupid dog.)
</p>
                                 <p>Sometimes I still think people of means should be locked inside their spheres of influence and roasted to death.
</p>
                                 <p>You can tell me it's jealousy, but I'll only hate you more. 
</p>
                                 <p>Around this time, I discoved classic rock.
</p>
                                 <p>I also discoved I could cover my arms with rubbing alcohol and set them on fire.
</p>
                                 <p>It did not hurt if I waved my arms fast enough.
</p>
                                 <p>The air filled with the acrid reek of singed hair.
</p>
                                 <p>I entertained my peers by proving my flammability.
</p>
                                 <p>I cupped fire in my palm.
</p>
                                 <p>I always was an entertainer.
</p>
                              </f:content>
                           </f:arb>
                           <f:arb id="archive_subway_19980212" publish="1998-02-12">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>12 Feb 98</f:title>
                              <f:content role="#Description">A review of Negativland's <cite>DISPEPSI</cite>

                              </f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>

                                    <h2>Legal Contents Have Not Settled During Shipping</h2>


                                 </p>
                                 <p>

                                    <h3>A review of <b>Negativland</b>'s <b>DISPEPSI</b> (alternatively DISEIPSD, or IDEPPISS, or PIEDPISS)</h3>


                                 </p>
                                 <p>How can 42 minutes and 53 seconds of anti-music, noise, collage samples, and idiotic, Casiotone-style rhythms be so soothing?
</p>
                                 <p>

                                    <a href="http://www.negativland.com">Negativland</a>, a band of Californian political pranksters, make albums by re-forming huge chunks of found song and speech into stratified audio collages. The group popped out of obscurity in 1992, in a litigous mess with Island Records over sampling from U2 songs. After turning the legal process into a giant art piece, they left the courtroom and returned to obscurity in order to make an album entirely about Pepsi.
</p>
                                 <p>This, their most recent project, is "<a href="http://www.negativland.com/nmol/dispepsi.html">Dispepsi</a>." (To respect trademark law, the title is usually anagrammatized, as in "Diseipsd.") The album jumps directly into the corporate maelstrom of ad culture and comes out completely covered in sticky brown fluid.
</p>
                                 <p>In a promotion-saturated, corporate world, Negativland volunteers as the court jester. They coined the term "Culture Jamming" in 1984, during a live cut-and-paste remix of Reagan's second inaguaral address. Holding up a sonic mirror to their subjects, they brutalize bullshit artists and butcher celebrity ego. On this last album, sources range from Michael Jackson, to David Ogilvy, to someone singing "I like Pepsi after I've been drinking beer/I like Pepsi when I'm beating up some queers." One track, "The Greatest Taste Around," connects Pepsi with things it <i>wouldn't</i> want to be associated with, simultaneously sampling different Pepsi commercials for the song:
</p>
                                 <blockquote>

                                    <b>The Greatest Taste Around</b>


                                    <f:content>
                                       <p>
                                          <br/>I got fired by my boss,
<br/>Pepsi!

</p>
                                       <p>
                                          <br/>I nailed Jesus to the cross,
<br/>Pepsi!

</p>
                                       <p>
                                          <br/>Powdered mashed pototoes in the cupboard for three years,
<br/>Alcoholic husbands driving frantic wives to tears,
<br/>Poor old widow's house burnt down,
<br/>Pepsi!

</p>
                                       <p>
                                          <br/>Tractors plowing down the hills,
<br/>Pepsi!

</p>
                                       <p>
                                          <br/>Ghastly stench of puppy mills,
<br/>Pepsi!

</p>
                                       <p>
                                          <br/>Sheets with stinking urine,
<br/>Bloody shards of glass,
<br/>Mud flaps burnt by hot exhaust,
<br/>Drunkards passing gas,
<br/>Children dying of disease,
<br/>Pepsi!

</p>
                                       <p>
                                          <br/>Leading helpless teens astray,
<br/>Pepsi!

</p>
                                       <p>
                                          <br/>I can't find the strength to say,
<br/>Pepsi!

</p>
                                       <p>
                                          <br/>Medicated ointment being spread on painful rash,
<br/>Old outdated software being thrown into the trash,
<br/>Everything still tastes the same,
<br/>Pepsi!

</p>
                                       <p>(Reproduced without permission.)
</p>
                                    </f:content>

                                    <p>
                                       <br/>I nailed Jesus to the cross,
<br/>Pepsi!

</p>

                                    <p>
                                       <br/>Powdered mashed pototoes in the cupboard for three years,
<br/>Alcoholic husbands driving frantic wives to tears,
<br/>Poor old widow's house burnt down,
<br/>Pepsi!

</p>

                                    <p>
                                       <br/>Tractors plowing down the hills,
<br/>Pepsi!

</p>

                                    <p>
                                       <br/>Ghastly stench of puppy mills,
<br/>Pepsi!

</p>

                                    <p>
                                       <br/>Sheets with stinking urine,
<br/>Bloody shards of glass,
<br/>Mud flaps burnt by hot exhaust,
<br/>Drunkards passing gas,
<br/>Children dying of disease,
<br/>Pepsi!

</p>

                                    <p>
                                       <br/>Leading helpless teens astray,
<br/>Pepsi!

</p>

                                    <p>
                                       <br/>I can't find the strength to say,
<br/>Pepsi!

</p>

                                    <p>
                                       <br/>Medicated ointment being spread on painful rash,
<br/>Old outdated software being thrown into the trash,
<br/>Everything still tastes the same,
<br/>Pepsi!

</p>

                                    <p>(Reproduced without permission.)
</p>

                                 </blockquote>
                                 <p>Unlike most culture jammers, Negativland displays genuine affection for the terrain through which they stomp. When they cut and manipulate a radio commentator's voice, as he proclaims "Changing Coke is like God making the grass purple, or putting toes on our ears, or teeth on our knees," they laugh at the announcer, but they don't raise themselves above him. Rather than processing his voice to make it serve a pile of rhythms, they work the sounds around the samples. They respect their sources, as silly as they may be.</p>
                                 <p>It's a different kind of borrowing than David Byrne in "My Life in the Bush of Ghosts," or The Dead Milkmen, robbing a radio preacher's voice in "You'll Dance to Anything." These musicians place their samples in a musical petri dishes and slice them up like a high-school frog. Negativland doesn't hide behind the empty title of "artist." Nor do they disassociate themselves from what they manipulate, Negativland enters into a vague, goofy, symbiotic relationship with what they borrow.
</p>
                                 <p>This helps them make their point. By standing within the mess they create, the band adds weight to their arguments, whether on fair use, the pervasiveness of advertising, or the mythical time-control experiments of C. Elliot Friday. By risking litigation with each album, they manufacture an immersive, audio bibliography. Each sample becomes an evocative reference point, especially if you recognize the source. To hear the voices of Ricardo Montelban, Michael J. Fox, David Ogilvy, and Michael Jackson (who talks about his buttocks) within the space of 20 seconds, you begin to drown in a media soup, and that's the point.
</p>
                                 <p>Negativland obviously wants you to question the pervasiveness of <i>all</i> advertising, but they made a wise narrative choise, limiting their choice of topic to one soft drink manufacturer. The band's shaky relationship with the cola unravels through the album, beginning with the hiss of a can opening, and ending with crumpling aluminum. While being immersed in Pepsi for 43 minutes is a purposefully discordant experience, the overall product is quite listenable, and almost comforting. It's a familiar sound, because it captures advertising, and its contiguous stream of pressurized selling. Dispepsi proves that we live first in a culture of promotion, and that marketing is a perpetual, formative influence in our lives.
</p>
                              </f:content>
                              <blockquote>

                                 <b>The Greatest Taste Around</b>


                                 <f:content>
                                    <p>
                                       <br/>I got fired by my boss,
<br/>Pepsi!

</p>
                                    <p>
                                       <br/>I nailed Jesus to the cross,
<br/>Pepsi!

</p>
                                    <p>
                                       <br/>Powdered mashed pototoes in the cupboard for three years,
<br/>Alcoholic husbands driving frantic wives to tears,
<br/>Poor old widow's house burnt down,
<br/>Pepsi!

</p>
                                    <p>
                                       <br/>Tractors plowing down the hills,
<br/>Pepsi!

</p>
                                    <p>
                                       <br/>Ghastly stench of puppy mills,
<br/>Pepsi!

</p>
                                    <p>
                                       <br/>Sheets with stinking urine,
<br/>Bloody shards of glass,
<br/>Mud flaps burnt by hot exhaust,
<br/>Drunkards passing gas,
<br/>Children dying of disease,
<br/>Pepsi!

</p>
                                    <p>
                                       <br/>Leading helpless teens astray,
<br/>Pepsi!

</p>
                                    <p>
                                       <br/>I can't find the strength to say,
<br/>Pepsi!

</p>
                                    <p>
                                       <br/>Medicated ointment being spread on painful rash,
<br/>Old outdated software being thrown into the trash,
<br/>Everything still tastes the same,
<br/>Pepsi!

</p>
                                    <p>(Reproduced without permission.)
</p>
                                 </f:content>

                                 <p>
                                    <br/>I nailed Jesus to the cross,
<br/>Pepsi!

</p>

                                 <p>
                                    <br/>Powdered mashed pototoes in the cupboard for three years,
<br/>Alcoholic husbands driving frantic wives to tears,
<br/>Poor old widow's house burnt down,
<br/>Pepsi!

</p>

                                 <p>
                                    <br/>Tractors plowing down the hills,
<br/>Pepsi!

</p>

                                 <p>
                                    <br/>Ghastly stench of puppy mills,
<br/>Pepsi!

</p>

                                 <p>
                                    <br/>Sheets with stinking urine,
<br/>Bloody shards of glass,
<br/>Mud flaps burnt by hot exhaust,
<br/>Drunkards passing gas,
<br/>Children dying of disease,
<br/>Pepsi!

</p>

                                 <p>
                                    <br/>Leading helpless teens astray,
<br/>Pepsi!

</p>

                                 <p>
                                    <br/>I can't find the strength to say,
<br/>Pepsi!

</p>

                                 <p>
                                    <br/>Medicated ointment being spread on painful rash,
<br/>Old outdated software being thrown into the trash,
<br/>Everything still tastes the same,
<br/>Pepsi!

</p>

                                 <p>(Reproduced without permission.)
</p>

                              </blockquote>
                           </f:arb>
                           <f:arb id="archive_subway_19980216" publish="1998-02-16">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>16 Feb 98</f:title>
                              <f:content role="#Description">Songs from the Cold War</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>I'm working on a short story, and it features a character who auditions for a musical. The musical is called "The Cold War," and I've written a song for it. I reprint a section of the song below. It's sung by wealthy urbanites, and it's called "The Nuclear Charity Ball."
</p>
                                 <blockquote>


                                    <f:content>
                                       <p>
                                          <br/>When they drop the bomb atomic,
<br/>Will the gin stay in the tonic,
<br/>Or will our party be a shadow on the wall?

</p>
                                       <p>
                                          <br/>When the atom starts to roar,
<br/>Will the nightlife be a bore,
<br/>Attending the apocalyptic ball?

</p>
                                       <p>
                                          <br/>Sure, the Eastern Bloc is led,
<br/>My a man with a rash on his head,
<br/>Who hides his nukes behind the Berlin wall.

</p>
                                       <p>
                                          <br/>But when Ronnie hits the button,
<br/>We'll eat irradiated mutton,
<br/>And if we survive life won't mean much at all.

</p>
                                    </f:content>

                                    <p>
                                       <br/>When the atom starts to roar,
<br/>Will the nightlife be a bore,
<br/>Attending the apocalyptic ball?

</p>

                                    <p>
                                       <br/>Sure, the Eastern Bloc is led,
<br/>My a man with a rash on his head,
<br/>Who hides his nukes behind the Berlin wall.

</p>

                                    <p>
                                       <br/>But when Ronnie hits the button,
<br/>We'll eat irradiated mutton,
<br/>And if we survive life won't mean much at all.

</p>

                                 </blockquote>
                              </f:content>
                              <blockquote>


                                 <f:content>
                                    <p>
                                       <br/>When they drop the bomb atomic,
<br/>Will the gin stay in the tonic,
<br/>Or will our party be a shadow on the wall?

</p>
                                    <p>
                                       <br/>When the atom starts to roar,
<br/>Will the nightlife be a bore,
<br/>Attending the apocalyptic ball?

</p>
                                    <p>
                                       <br/>Sure, the Eastern Bloc is led,
<br/>My a man with a rash on his head,
<br/>Who hides his nukes behind the Berlin wall.

</p>
                                    <p>
                                       <br/>But when Ronnie hits the button,
<br/>We'll eat irradiated mutton,
<br/>And if we survive life won't mean much at all.

</p>
                                 </f:content>

                                 <p>
                                    <br/>When the atom starts to roar,
<br/>Will the nightlife be a bore,
<br/>Attending the apocalyptic ball?

</p>

                                 <p>
                                    <br/>Sure, the Eastern Bloc is led,
<br/>My a man with a rash on his head,
<br/>Who hides his nukes behind the Berlin wall.

</p>

                                 <p>
                                    <br/>But when Ronnie hits the button,
<br/>We'll eat irradiated mutton,
<br/>And if we survive life won't mean much at all.

</p>

                              </blockquote>
                           </f:arb>
                           <f:arb id="archive_subway_19980302" publish="1998-03-02">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>02 Mar 98</f:title>
                              <f:content role="#Description">On Vacation</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>All I want to say, is if I ever get my hands on one of those little bastards with their long turkey basters and their sandpaper jerkoff machines I'll slaughter him. Slaughter. Stick a fork right into their vile jelly little gray eyes.
</p>
                              </f:content>
                           </f:arb>
                           <f:arb id="archive_subway_19980303" publish="1998-03-03">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>03 Mar 98</f:title>
                              <f:content role="#Description">Terrible Literary Error</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>I wrote something for the entry today that was so scabrous, so embarassing and uninspired, that I have torn the insipid lines from the electronic page, and thrust them forever in the little gray digital rubbish can.
</p>
                                 <p>Never, ever again, will I write a story in which a couple goes into a drugstore to purchase a bottle of Feminine Wiles. Seven paragraphs of weak, foolish, execrable nonsense, the kind of bad writing that lazy sophomores, their belly-flaps folding over from too much beer and meat sandwiches, write in a dreamy state of fantasy. Such a sophomore thinks his thoughts unique. He believes some magical muse of Rum and Coke might descend and straddle his pen, moving the quill nib across the milky page by dint of gentle rocking.
</p>
                                 <p>There is no such muse for me. I slog through, and mostly, feel such a deep humiliation at this product that I think it might be better to stop, freeze off the tips of my fingers, and burn the keyboard. 
</p>
                                 <p>And then there was the abduction. But I'll tell you about that when I'm calmer.
</p>
                              </f:content>
                           </f:arb>
                           <f:arb id="archive_subway_19980307" publish="1998-03-07" release="no">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>07 Mar 98</f:title>
                              <f:content role="#Description">Found Intimacy (in Place of Faith?)</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>The other day I had sex, the first time in a while. I enjoyed it. The next day, my roommate from college sent me email that read,
</p>
                                 <blockquote> 
Paul, your ex-girlfriend called up and invited herself out to Bloomington, Indiana for her spring break to visit me. I didn't know how to say "I don't trust your motives," so I said, "yes." I feel uncomfortable about it.
</blockquote>
                                 <p>My heart pumped jealous blood into my brain and fingers. A crack of anger went off in my chest.
</p>
                                 <p>"I don't care who she fucks, even if it's my ex-roommate," I extrapolated. Then I breathed one long outward breath. The pressure subsided, and I amended, "I don't care who she loves, either."
</p>
                                 <p>I wrote him that I was uncomfortable, that I felt odd about it, but
</p>
                                 <p>Who knows why she needs to see him? If she needs to crack into other parts of my life, in my absence, and rationalize it in whatever way she chooses, I can't change it. But it's repulsive behavior. My ex-roommate is 650 miles from her, yet she suddenly "really wants to see him?" Paul's friends. Collect the whole set.
</p>
                                 <p>Still, even though I've already made it, the judgement isn't mine to make. And the news comes right as I've gotten her taste out of my mouth. I cleaned my apartment with a vengeance. I'm installing shelves, choosing colors to paint my walls. For right now, the facts of my life--the litanies, hysterics, and the shallow spots, are leaving my focus in exchange for writing more, working more, and living like a person. Not every day, but more days than before.
</p>
                                 <p>And after all, this was a woman who, raised an Athiest, yelled at me when I tried to pray aloud, to show her what it was like. "Stop talking to no one. I hate it," she said. And I couldn't explain that, despite my own peculiar athiesm, dabbed with a little agnosticism on good days, I <i>was</i> actually speaking with someone.
</p>
                              </f:content>
                              <blockquote> 
Paul, your ex-girlfriend called up and invited herself out to Bloomington, Indiana for her spring break to visit me. I didn't know how to say "I don't trust your motives," so I said, "yes." I feel uncomfortable about it.
</blockquote>
                           </f:arb>
                           <f:arb id="archive_subway_19980306" publish="1998-03-06">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>06 Mar 98</f:title>
                              <f:content role="#Description">Day off. </f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>Day off. I'd like to tell you more about last week, since I was walking through the East Village, and all of a sudden the bright lights, but they've put a mind lock on it and I can't describe the godawful smell of extraterrestrial armpits as they gave me noodgies. "Don't worry, it's a stimulus response test," they jabbered in their nasty little voices, gray eyes blinking like sleepy puppies as I screamed and screamed and screamed...
</p>
                                 <p>Then the giant machine. It looked like rubber suspenders hanging below stainless steel goal posts, and before the room went black I saw that goddamned lucite checkboard, they carried it everywhere, with the words "Wedgie Examination" in glowing letters. Then I'm awake with the horrible, wrenching chafing, screaming for Ben Gay. But there is no Ben Gay, and I'm rotating five hundred miles above Tuscaloosa.
</p>
                                 <p>But like I said, I don't want to talk about it.
</p>
                              </f:content>
                           </f:arb>
                           <f:arb id="archive_subway_19980309" publish="1998-03-09">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>09 Mar 98</f:title>
                              <f:content role="#Description">Abduction</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>Right. Little gray men, and they've got this thing, a knob with spikes, they say it won't hurt. And at this moment, I'm not predisposed to believe them--
</p>
                                 <p>Let me back up. I was walking home, and a perfectly nice looking woman outside of a boring looking building in the East Village asks me if I'd take a marketing survey. And I don't have anywhere to be--in fact, I'm trying to decide if I would really sleep with a 50 year old woman if one asked me, because it's gotten desperate lately, lately being eight months. So I say, "sure," and she leads me into a small office. I sit at a desk. The room is white. She comes back with a questionnaire about white rice. She's about forty-five and a little, uh, aquiline in the facial features. Not a beak, but definitely crooked, and so I decided I wasn't that desparate, and the cutoff was still around thirty-five.
</p>
                                 <p>So I try to keep it entertaining. I write in that I buy Uncle Ben because I find Uncle Ben stimulating, arousing. I made up a rimjob fantasy with Uncle Ben on the back. 
</p>
                                 <blockquote>
He looked so sore, so ready, but so sad and sweet. I pulled out a silkly pillow and placed it under his middle. I knew that he was long grain, and enriched. I wanted to show him how grateful I was for all of the nutrition he had introduced into my short-grained life.
</blockquote>
                                 <p>Later, I write that Minute Rice takes too goddamned long. In the "Occupation" box, I write "Sherpa."
</p>
                                 <p>And right as I check off yearly income, the room went white, and a rushing noise came into me, and I wake up strapped to a green table. 
</p>
                                 <p>"What the frig--"
</p>
                                 <p>But one of the grays, a little guy, all wrinkled, sneers with his pointy teeth and says, "Shut up." And outside the window, it's Earth. Half covered in shadow.
</p>
                                 <p>It's too painful to continue. I'll write more later.
</p>
                              </f:content>
                              <blockquote>
He looked so sore, so ready, but so sad and sweet. I pulled out a silkly pillow and placed it under his middle. I knew that he was long grain, and enriched. I wanted to show him how grateful I was for all of the nutrition he had introduced into my short-grained life.
</blockquote>
                           </f:arb>
                           <f:arb id="archive_subway_19980311" publish="1998-03-11">
                              <f:ref has="#Author" to="#PaulFord"/>
                              <f:title>11 Mar 98</f:title>
                              <f:content role="#Description">Still a little stressed out over the abduction.</f:content>
                              <f:ref has="#Copyright" to="#FtrainCopyright"/>
                              <f:content>
                                 <p>I don't even think I can fill in the details. Just that they said, "don't be nervous, we're just going to run some tests. We're trying to understand your physiognomy." And then the little gray bastard says, "Pull my finger."
</p>
                                 <p>Figuring it's a grip test, I do what he says. The earth rotated behind him in the picture window, and what came from his little body, an incredible extraterrestrial reeking filth, brought bile from my stomach. In the loose gravity it came out like a fastball.
</p>
                                 <p>Laughing, somehow perfectly unsmudge